10 Minutes Chat with Megan Wynne

At Culture Night 2017, Megan Wynne asked for a 10 minute slot with the O’Brien Press team at our Pitch Perfect event. Two years later, I asked Megan for 10 minutes of her time for a quick chat about her forthcoming debut novel. The House on Hawthorn road is a wonderful story about two children, from different centuries who time travel through the walls of a magical house in Dublin. Here’s what Megan had to say about her Culture Night experience and her new book – in 10 minutes. 

What made you sign up for Culture Night 2017?

I signed up for Culture Night because I thought it would be fun. Also, I had recently done a workshop on ‘Pitching the Novel’ with Richard Skinner (from Faber & Faber Academy) at Listowel Writers’ Week. I had my fifty word pitch ready to send in, so I felt like it was worth a shot.

How did it feel to pitch your book directly to the O’Brien Press team?

I loved pitching my book directly to the O’Brien Press team. Kunak and Aoife listened attentively and asked really insightful questions. It was a pleasure to speak about my characters with people who understand children’s fiction and know the market so well.

Describe your Culture Night experience in five words.

Unexpectedly exciting, fun and successful!

What is the number one piece of advice you tell your Creative Writing students?

Write what excites you, and to forget about whether anyone else might like it (including parents or teachers).

What inspired you to write The House on Hawthorn Road?

I was inspired to write The House on Hawthorn Road by an extraordinary coincidence that happened when I asked my very first creative writing student for her address. I wanted to send her a Christmas card. When she told me I nearly dropped the phone. She was living in the very house that my father grew up in. I had visited my grandparents in that house when I was a child. Her mother heard this and kindly invited me over for afternoon tea. When they moved in they had built an extension onto the back of the house and while I was sitting in their new kitchen, the idea came to me: what if the extension had caused cracks in the walls that allowed Beth (my student) to travel back in time to when my Dad lived there with his brother Robin. I became very excited by this idea, as my Uncle Robin was an outrageous character and I knew he’d be brilliant in a novel. I loved the idea of the two families getting squashed together in the same time zone.

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My Little Blog Post of Dublin

This week Juliette Saumande, Tarsila Krüse and Helen Carr tell us all about the making of My Little Album of Dublin and their favourite places in the Fair City! 

Juliette Saumande 

Juliette Saumande is a French writer based in Dublin. She has published over 40 books in French and English. When she’s not writing, she can be found translating books, reading books, recommending books, talking about books and building forts with books. She enjoys things like tapdancing and liquorice, but hates Crunchies with a passion. Come and say ‘hi’ at  juliettesaumande.blogspot.ie 

 

 

The Wheels of Fortune (on a Dublin Bus)

Between Dublin and thirteen-year-old me it was love at first sight. Coming from the suburbs of Paris, where the French capital felt like a limitless maze packed-full of numberless strangers, I was struck by how small, how homely and friendly Dublin was. You couldn’t get lost! You couldn’t set half a toe in town without meeting someone you knew! It was great. I knew straight away that I wanted to come back and spend longer than the few days I had that first time. So I did. As a dedicated tourist initially (brownie points to my family for humouring me, then becoming Emerald Isle enthusiasts), then as an Erasmus student, and eventually as a Dubliner.

So I’ve been here for well over ten years, reading, writing, translating, chatting, making friends and making it even harder to feel lost or lonely. And after all that time, I still feel quite excited about the city, the new bits, the old bits, the eating places, the meeting places. My favourite haunts, if you can call it that, are Dublin buses. I’ve had some of my best ideas on the number 78 (as was), some of my best rants on the 7 and the elusive 68, some of my strangest conversations with total strangers on the 13 or 40 (about the weather, food, books, kids… or what the Irish use their churches for these days).

And I’ve had some of the best views over the city, just above pedestrian level (because, obviously, the whole point of a double-decker bus is to sit upstairs, right at the front where possible). From up there you can see beyond fancy hedges and building site fences, into first-floor shops and balconies, on top of people’s heads and bus stops (where you sometimes make interesting discoveries)…

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An Amazing New Children’s Sports Series Begins….

 

We at the O’Brien  Press are delighted to be publishing the first two books in the all new Great Irish Sports Stars series: Cora Staunton and Colm ‘Gooch’ Cooper. Ivan O’Brien, Eimear Ryan and Donny Mahoney chatted with me about this new series. 

Ivan O’Brien

Sport is becoming an ever-increasing part of the lives of many children, and it really gets them excited. We have published quite a few novels for young readers with sporting themes (you can see them here: http://www.obrien.ie/childrens/sport-childrens) and seen the way young readers devour them! Fiction is great, but it’s not real life, and role models are hugely important, so we had an idea: why not create a series of books about Ireland’s greatest sporting heroes, written for children? Unlike sports biographies for adults they would focus on the hero’s childhood and the key moments in their lives that made them a success. We approached some writers who we knew would do a great job, and Great Irish Sports Stars was born!

Eimear Ryan

As a young GAA-mad girl growing up in Tipperary, most of my idols were men. When I was pucking out the back, I’d pretend to be Nicky English or DJ Carey – or, if I was playing football for a change, Charlie Redmond or Maurice Fitzgerald. I knew of female GAA players, of course – the Downey sisters of Kilkenny, Laois footballer Sue Ramsbottom, and legendary Tipp camogie forward Deirdre Hughes. But you would only really hear about these players in September, when RTE broadcast the women’s All-Ireland finals. Unlike the men, they didn’t often get featured on The Sunday Game or turned into pull-out posters.

Then along came Cora.

Cora Staunton was one of the first crossover stars of women’s GAA. Crucially, Cora’s breakthrough in the early 2000s coincided with TG4’s sponsorship of the ladies football championship, so her career was televised from early on. Her undeniable prowess was there for everyone to see, and soon enough, she started popping up in Lucozade ads and in in-depth interviews in the sports pages. Not only was she a brilliant female player, she was a highly visible one.

In my research for the book, I took great inspiration from Game Changer, Cora’s aptly-named autobiography written with Mary White. It gives very honest insights not just into Cora’s football career, but into the personal tragedies she has lived through, such as losing her mother when she was sixteen. Later, she lost a teammate and friend, Aisling McGing, when Aisling was just eighteen. Time and time again, when faced with personal loss, Cora turned to football for solace. Her story demonstrates the importance of sport not just as a physical outlet, but as a mental and emotional outlet as well.

Cora is inspiring because of her swagger – her total belief in her own ability and the very high standards she set for herself. She is by no means a ‘safe’ player – she takes risks, and is rewarded more often than not. For most players, scoring an outlandish tally of 2-10 would be a career highlight; for Cora, it’s just another day at the office. At the same time, she’s genuine and down-to-earth off the pitch. Her unapologetic ambition, coupled with her down-to-earth attitude, is what makes her such an exciting player to watch.

Donny Mahoney

What makes a genius? Are they born or made?

Colm ‘Gooch’ Cooper was a human highlight reel during his Gaelic football career for Kerry, a magician with the ball in his hand. But unlike many contemporary sporting phenoms who seem anointed for greatness from childhood, Cooper’s success was never a sure thing.

This was what drew me to the story of the Gooch for my book in the Great Irish Sport Stars series. I thought young readers would be drawn to the story of how a good footballer became one of the game’s greats.

From a young age, Cooper loved sport and was incredibly driven. He brought a Gaelic football with him everywhere he went. But in his teenage years, he was doubted and overlooked by coaches and selectors because of his size.

The book tells the story of Cooper’s GAA journey from his estate in Killarney to the steps of the Hogan Stand. It also tries to convey the mystique of Kerry football. For as long as I’ve been watching Gaelic football, I’ve been fascinated by Kerry football, and the Gooch has been central to that.

From researching and writing the book, what I found most striking was the enduring power of the club for Cooper. The Gooch experienced more famous days in Croke Park than the vast majority of GAA players, but what truly mattered most to him were the experiences with his club, Dr Crokes.

In a way, Colm Cooper’s GAA story is bookended by two experiences with his club: acting as a mascot when they won the 1992 club All-Ireland and winning the club All-Ireland with Dr Crokes in 2017. The story of the club is the story of so many Irish communities.

It was a privilege to tell Cooper’s GAA journey for young readers. Books about sport were so important to my own youth. They fostered not just a lifelong love of sport, but of storytelling too. All good sports books – no matter what age group they’re aimed at – touch on universal themes: hope, failure and glory.

These themes run across the great career of Colm Cooper, and hopefully young readers who may have never seen the Gooch in full flight will be fascinated by his story.

 

Cora Staunton and Colm ‘Gooch’ Cooper will be published 12 August 2019 and will be available in all good bookshops and on www.obrien.ie 

Ivan O’Brien, Eimear Ryan and Donny Mahoney August 2019

The Children of Lir

So much work, thought and creativity go in to making a book. This autumn we are publishing an illustrated edition of the Children of Lir written in verse. Laura Ruth Maher submitted her wonderful rhyming version of everyone’s favourite Irish myth. Once accepted, Emma, our designer, set out to commission an illustrator. Three weeks ago, our wonderful illustrator, Conor Busuttil flew from his home in the UK to hand-deliver the stunning art work. I spoke with Laura, Conor and Emma about the exciting process of making a book.

Laura

While working as a Montessori teacher I have always tried hard to incorporate Irish myths and legends into the curriculum; they’ve always been a favourite of mine. From a young age they sparked a love for all things magical and enchanted, something I have always tried to instil in the children in my care whether through storytelling or art, the development of imagination, wonder and curiosity knows no bounds. Our lovely myths and legends, however, can be quite difficult to simplify for pre-school children, especially when the only books available have few illustrations to accompany a text that has beautiful big Irish words such as Tuatha de Danann, Emain Macha and Mochaomhóg.

While researching the importance of storytelling for the dissertation of my degree in early education, I was reminded of how crucial rhyming stories are for the development of literacy skills in children. Rhyme gives children the confidence to participate in the storytelling process, as well as the ability to predict what might come next. I had a pure lightbulb moment of how a rhyming version of the Children of Lir might just hold their attention and interest as their favourite rhyming books have done over the years.

The Children of Lir felt like a perfect story to begin with as it tells how love and bravery can give you the determination to keep going no matter how hard things get – a little lesson that you are never too young to learn. So, you can imagine my excitement when O’Brien Press felt the same and accepted my submission for publication.

I was slightly apprehensive when I was told that the illustrator would be chosen by O’Brien Press as through the whole process of writing, I knew where the characters lived, their faces and what the magic looked like around them so it was important to me that the illustrator chosen would be able to see the same. When I was sent Conor Busuttil’s work as a prospective illustrator for the book I was overwhelmed by his imagination and talent. I knew instantly that he would work wonders on the illustrations for this book and he has surpassed all my expectations and then some! He has such a wonderful style of drawing which has managed to capture the love, fear, panic and magic throughout the entire story, truly making it come alive.

The Children of Lir is one of my favourite legends and I couldn’t be happier to know that this early introduction into the magical world of Irish myths and legends is keeping our traditional stories alive for children of all ages to love and retell!

Conor

From the mention of this project I was excited to get started. It was after pulling out books I have had since a was little based on the old Celtic myths and legend, rummaging through my dad’s (keen metal detectorist) history books on jewellery and buildings to the point I was told to go get my own, to going out in the field and drawing bits first that I slowly started to compose the basis for the proper direction I wanted to go.

From the get go, I felt I wanted Fionnuala to be the natural leader of the group. Being the eldest and the mother figure to her brothers, in a few scenes I have tried to make her the focus of the others’ attentions. In terms of how the children looked as human, I did try and give them individual personalities through their mannerisms, but the ideas for how they looked came from watching nieces/nephews and a few sketch attempts. While reading Laura’s script I had my sketch book beside me and drew whatever popped into my head. I think the first image was the children grouped together as swans. Fionnuala standing stern while the brothers nervously huddle around her looking for direction as they look out at this new version of their lives and the challenges they might face.

I think the main challenge was with it being a naturally sad tale: these children have been bewitched for hundreds of years, but I needed to keep the images child friendly. So there was a little back and forth with ideas on that, but just as important were the colours. We naturally associate certain colours with certain characteristics, like a bold dark red as danger or a light washy blue as healing and soft. Just choosing the colour of the magic on the cover took a few attempts; hopefully the reader will get that warm, happy welcome when picking up the book.

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Marketing & Publicity Internship

Irish publishing house The O’Brien Press is seeking a Marketing & Publicity Intern.

The position involves providing administrative assistance to the department across all areas of marketing, publicity and events and offers the opportunity to gain valuable knowledge and experience in marketing & publicity as well as other aspects of the publishing environment.

The successful candidate will be energetic, enthusiastic, highly organised and will be able to work well on their own and as part of a team. They will be able to work well under pressure. They will be proficient in MS Office (Word, Excel) and Outlook. Experience with InDesign and/or an interest in social media would be a bonus. This position would be ideally suited to graduates who are seeking to gain experience in publishing, and in the area of marketing and publicity, in particular.

This is a paid internship starting in July, finishing end November 2019, 5 days a week.

Please apply with CV to The O’Brien Press at publicity@obrien.ie

Closing date for receipt of applications is 5pm on Friday 14th June.

From the Air to Publication

Raymond Fogarty, author and photographer of From the Air – Ireland’s Wild Atlantic Way, chats with us about his journey along the Wild Atlantic Way, his inspiration behind it and what he found along the way.

Ever since I was a boy, I was enchanted by the Irish landscape with its rich heritage and timeless beauty. To me, Ireland was its own little planet with its ever-changing scenery that beckoned to explore beyond the horizon. When the Wild Atlantic Way touring route was announced, I immediately wanted to travel there. Never before had I seen a definitive compilation of locations along the west coast and, with my new drone hobby and the opportunity to see beyond that Irish horizon, it made for an irresistible proposition. I was already in awe at seeing Cork city from above; and delighted to see the reactions of others at this new perspective. So now, I had a chance to do this – to have the adventure of a lifetime, and to see the places I knew and the places I’d never seen before, from the air.

Kerry- Conor Pass

I gave up smoking in 2013, to improve both my health and my finances. It wasn’t an easy challenge, so I gave myself an additional incentive at the outset: I would use the money saved to embark on a new hobby. My first thought was to invest in a fully featured telescope, and to explore the night sky. But around then I became aware of drones, and was blown away at the aerial photos and videos that were beginning to appear online. Rather than explore the universe, I resolved instead to get a drone and explore Ireland from the air. I was always fascinated by gadgets and technology, and I love photography, so drones ticked all the boxes for me.

I purchased a DJI Phantom 2 drone with a GoPro camera in early 2014. Flying it took a bit of practice, patience and planning, particularly on the west coast where weather conditions can be unpredictable. When flying, a number of factors have to be considered, such as temperature, wind speed and direction, and just making sure that it’s safe to fly. The Irish landscape, however, is hugely rewarding, with its many shades of stunning colours in any season, constantly shifting and changing throughout the day.

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A Giant Blog Post

Author and illustrator Marie-Louise Fitzpatrick tells us the inspiration for The Sleeping Giant and the little girl, Ann.

In 1988, my sister Bernardine and myself were spending a week in the Kingdom of Kerry. Our neighbours, the Kennedys, ­happened to be there at the same time so we dropped around to their holiday rental to say hi. Their cottage faced the sea. Mary pointed out over the wall and said to her little girl, ‘Look, Eva, we can see the Sleeping Giant from here.’

‘The Sleeping Giant?’ I asked. A dozen family holidays in Dingle and I’d only ever heard Inis Tuaisceart referred to as ‘An Fear Marbh’.

‘I don’t want to scare Eva by calling it “The Dead Man”,’ Mary whispered. ‘Not when she can see it from her bedroom window.’

Hmm, I thought. So if the island is a giant, why is he asleep? And what happens when he wakes up?

An unfamiliar name for a familiar landmark caused a shift of perception inside my brain, which, in turn, sparked an idea. I spent the rest of the week imagining the giant waking up and watching him roam around the Dingle Peninsula in my mind’s eye. My sister and I toured and walked and sunned ourselves by day, and I snapped photos with my trusty Olympus OM10 as we went, already thinking of these shots as research. We met the Kennedys at Coumeenole a few times, and I painted them into the beach scene in the book to mark the fact that it was Mary (yes, that Mary Kennedy) who sparked the idea for the story.

Evenings were spent in local pubs. The sessions were mighty, and I captured one of them in the book. In my memory, the pub was Páidi Ó Sé’s in Ventry, but my sister remembers that session being in An Cúinne, Feohanagh. Who knows which of us is remembering the venue correctly, but we do concur on the singers and the craic!

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Maternity Cover: Receptionist/Editorial Administrator

Maternity Cover: Receptionist/Editorial Administrator, The O’Brien Press (Publishing Company)

Independent Irish publishing house The O’Brien Press is seeking maternity cover for a Receptionist/Editorial Administrator role. This is a great opportunity for someone with an interest in publishing, and we welcome applicants who are well-organised and enthusiastic team players. This is a short-term contract position with immediate start, and salary will be commensurate with experience.

Apply with CV and cover letter before 5pm on 26th April 2019 to:

E: jobs@obrien.ie

www.obrien.ie

Call Out for Stories on The Dublin Marathon

Do you have a story to tell about The Dublin Marathon? Did you run it? Did you cheer someone on?

We want to hear from you!

Senior Editor, Helen Carr, tells us about the Dublin Marathon and what it means to her. Helen is delighted to be the editor for our forthcoming book: The Dublin Marathon: 40 Years of Running.

Helen and friend Denise Kelleher cheering on their friend and club mate Caroline Farrelly to her O50 prize in the Dublin Marathon 2018. Photo by Eoin Fegan.

“I’ve been aware of the Dublin Marathon nearly all my life – as a child, I remember standing in my native Raheny, watching Dick Hooper – local hero, Raheny Shamrock runner and 2hr 12-minute marathon runner – storm through the village on his way to winning in 1980, 1985 and 1986. In the mid-80s, I also cheered on my father, handed out glucose sweets to runners and admired his etched copper finisher’s plaque. Back then, my sister and I used to complain that our Hallowe’en costumes were always very thrown together and last-minute because most of the October Bank Holiday weekend revolved around the marathon!

My dad stopped running in the 90s and the marathon moved to the Southside so it didn’t loom as large in my life until I joined Raheny Shamrock running club in 2010. Raheny has a long record in the marathon, so from June to October EVERYONE was marathon training. My husband ran it in 2012, so I thought, ‘If he can do it, why can’t I?’ and we both ran in 2013. I’ve marshalled every year since – once again, the October Bank Holiday means marathon weekend! I like nothing better than cheering friends, family and runners from all over the world to the finish. In 2018, I and my fellow Raheny Shamrock marshalls screamed ourselves hoarse cheering our clubmate Mick Clohisey to his National Marathon win.

And now the Dublin Marathon has come to my workplace too! I’m so excited that The O’Brien Press will be publishing The Dublin Marathon: 40 Years of Running in October 2019! I can’t wait to edit this book on the history of the race, the various routes the marathon has taken over the years, famous Irish marathoners, and so on. We’re also doing a call out for inspirational stories and anecdotes from Irish marathoners, charity runners and volunteers. So whether you’re a runner, a spectator or a volunteer – send us in your stories and photos of memorabilia, and you might make it into the book!”

For more information on submitting material for The Dublin Marathon, please visit our website here.

Helen Carr, March 2019

Alan Nolan on World Book Day, Writing, Illustrating, Animals and Rock Star Grannies

Ahead of World Book Day 2019 on Thursday, 7 March, I chatted with Alan Nolan about his World Book Day book, Sam Hannigan’s Rock Star Granny, and the world of books, writing and illustrating!

What’s your favourite thing about reading?

A good book will put you directly in the shoes of the characters, helping you see the world through their eyes. That’s my favourite thing about reading – understanding and empathising with others.

What’s your favourite thing about writing and illustrating?

I love storytelling, and writing and illustrating are two great ways of telling a story. I enjoy them both equally, and I try to get them to work together and complement each other. I tend to think visually – if a character pops into my head, I have to draw them immediately; if a scene comes into my head, I reach for a pencil and get drawing. Then I’ll write some notes about what I’ve just drawn around the sides of the sketch. It always happens in that order: idea, drawing, writing.

Who is your favourite character to illustrate?

I love drawing Ogg the caveman from Conor’s Caveman and the Sam Hannigan series. I had a lot of trouble getting him right at the design stage – I knew he was huge and that he wore caveman furs and had chunky, hairy arms, but I just couldn’t get his face quite right. His big, stubbly chin worked, but there was something too open and modern about his eyes. Then I hit on it: a huge, bushy monobrow would hide his eyes, making him more enigmatic, and it would also make him look more Neanderthal-like. Ogg is an easy character for kids to draw as well – I can show them how to draw a very convincing caveman with only twelve pencil lines!

Sam Hannigan is a great character. What was your inspiration for her?

When I was a kid, I wanted to be a dog. My granny, Lizzie Bunn, lived with us (as did her mum, my great-granny), and she helped me achieve my doggy dreams. She made me a pair of doggy ears out of stuffed brown socks that she stitched onto a Healy-Rae flat cap, and a furry tail that I tucked into the back of my trousers. Sometimes when she’d call us down for dinner, I’d insist that she put mine on the floor. I would eat it on my hands and knees, my ‘tail’ (actually, my bum) wagging happily as I chowed down without the aid of a fork, knife or spoon, my doting granny looking on. Of course, this only happened when my mother was at work. She would have marmalised me and my poor granny if she knew these canine capers were going on every second day. So I think Sam Hannigan was based partly on me – a dreamer with a lightly loopy grandmother.

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