This month we chatted with the wonderful Kathleen Comerford about her experience as a driving instructor, her top tips for your driving test and all about her new book Pass Your Driving Test in Ireland!
What made you want to be a driving instructor?
I really love driving and teaching so, it’s a perfect match. My father and my grandfather also taught people to drive, so it must be in my blood.
Could you tell us 5 things to think about or focus on during your test?
1. It may sound obvious, but remember to breathe! Almost all my students forget to breath once I sit into the car, so I’m sure it happens more so when the Tester sits in.
2. Focus on the road in front of you and avoid thinking too much about what the Tester is thinking or wanting you to do. They just want you to drive safely.
3. Keep your driving as close to your natural everyday drive as possible, so you keep it automatic and natural and honest.
4. Avoid exaggerating anything like observation or mirrors in order to impress the Tester. Your checks should be timely and relevant, remember you are on your driving test, not looking for an OSCAR!
5. I teach my drivers to talk about the road ahead, which helps them greatly to keep focused and present, and reduces their anxiety levels.
What is the one thing people should say to themselves before they begin their driving test?
I CAN DO THIS! I’ve put in the time and practice. I’ve read Kathleen’s book so I know what to do!! It’s not rocket science. I’ll keep it safe and simple.
Emma Byrne takes us through the fascinating design process that created the eye-catching cover of Frank McGuinness’s upcoming novel.
This is a novel that chronicles James Joyce as he lies on his death bed. A writer’s thoughts on his life, his children’s thoughts on their famous father, and a final story to defy them all.
Given the breadth of James Joyce’s life, and more importantly his work – a bridge, as it were, from an older tradition to a newer one – I felt that a cover inspired by the old technique of letterpress had an intriguing potential.
Letterpress was the normal way of printing text in Europe, from its invention in the mid-15th century by Gutenburg, until the late-19th century. (The Chinese had invented ceramic moveable type in the 11th century.) Much like our digital revolution and the huge opportunities brought about by social media, Gutenburg’s moveable type changed the dissemination of information forever. Texts were no longer written by specialist scribes for the select few. Words, knowledge and ideas, could be printed and seen by many. It was an invention that brought great power.
I had used a letterpress in college, and as a budding typographer was impressed by the sheer discipline, patience and respect it gave me for letterform. Today, anyone can type an essay on their phone, if they wish, but creating something in letterpress is a game of control and endurance. Fitting letters – wood or metal type – into a chase (a metal frame) is sometimes like trying to fit a square peg into a round hole. So, we use furniture (metal, wood or resin spacing tools) various em-spaced leading in different lengths –to fit the letters into the chase. Continue reading “The Cover Design of The Woodcutter and his Family”
Tatyana Feeney, author and illustrator of the wonderful picture book Socks for Mr Wolf, shares her story about where this quirky character came from and shows us the awesomeness of socks!
Poor Mr. Wolf, he is so often mistaken for a fox! And although ‘socks’ and ‘fox’ rhyme, Mr Wolf was always going to be a wolf even before he had his lovely socks …
My stories usually start with a character. I like to draw the character and think about a story that might develop around them. I had been drawing a wolf character for a while; he actually started life when I was a student at art college, and I was always hoping that he would have a story, but there was never one that seemed exactly right.
I liked the idea of the wolf being a friendly character, rather than the typical ‘big, bad wolf’, but I wasn’t able to think of something that seemed like a great, original story for him.
The idea for a book of childhood games has been percolating in my mind for years. Every time I had one of those ‘Remember when…?’ conversations with friends or family, I thought to myself, I really must get a move on. So it was with much excitement and no small relief that Red Rover, Red Rover – Games from an Irish Childhood has become a reality.
I grew up in Drogheda, on an estate of about forty houses, and with families of four or five children not uncommon back in the heady days of the 1980s, playmates were never in short supply. I was lucky enough to have four of the best in the form of brothers and a sister. One thing you need to know about my family is that, like most 80s kids, we were particularly snappy dressers and had fabulous haircuts (with the photographic evidence to prove it). The other is that we were nearly always up for a game of something or other.
One of our favourites was Kerbs – there was a period of a few years where the irregular thump of the ball off a kerb was to be heard most days, up and down our road. I was never really gifted with the skill set required for that game, but that never stopped me. My brothers proved more skilful, although I did eventually make up for my lack of natural ability with sheer volume of practice. My abiding memories of Kerbs, though, will always be either waiting patiently as my opponent hit kerb after kerb after kerb (how long could they keep going??), or the sheer joy on my younger brother’s face when he tried the high-scoring backward, over-the-head throw yet again and actually managed to hit the kerb. I’m pretty sure that he would have consistently scored higher if he just threw normally each time, but I was always delighted with his high-stakes gambling approach to the game. Continue reading “Red Rover, Red Rover!”
Our sales representative, Sarah Cassidy, tells us all about being on the road, exploring Ireland on a daily basis and Ireland’s Ancient East.
The job of being a sales representative for The O’Brien Press involves visiting bookshops and other retail outlets throughout Ireland. One day you can be in Belfast and the next Galway or Waterford. It is a great perk of the job to be able to visit every corner of the country, particularly when the sun is shining, the sky is clear and Ireland’s breathtaking scenery is at its best. Some days the Atlantic Ocean is so blue I think about pulling the car over and going for a paddle but I soon remember I’m in Ireland and the likelihood of my poor toes being frozen off is quite high! Instead I grab my lunch from the car, perch on a nearby stonewall and listen to the sound of the rolling waves as I munch on my ham sandwich. Feeling energised by Ireland’s natural beauty (or the bucket of coffee I picked up at Barack Obama Plaza), it is back to the car and on the road again to the next customer.
It is not just Ireland’s coastal roads that offer beautiful scenery; the countryside and rolling hills that are often dotted with the ruins of castles and monasteries can be so vibrant and green in spring and summer, riotous with russet and gold tones in autumn and captivating coated in early morning frost in the depths of winter. This year in particular, the O’Brien Press reps gained a new appreciation for the countryside and the sights that can be found on the eastside of our beautiful island. We have been selling Carsten Krieger’s fifth book with The O’Brien Press, Ireland’s Ancient East. Filled with fantastic photographs and captions from this talented photographer, Ireland’s Ancient East is the perfect book to guide you around the east side of the country. Linking the Stone Age period with Saint Patrick, the Vikings with the Normans, Ireland’s eastern counties are abundant with monuments and relics that bring to life the stories of our ancestors. Whether you are an armchair traveller or looking to get out and explore the delights of our ancient east, this book is a great place to start! We put it to the test as we took to the roads to sell our autumn list. Continue reading “On the Road with Sarah Through Ireland’s Ancient East”
Jamie O’Connell, editor and selector of Best-Loved Joyce, guides us through a week of Joycean quotes in the lead up to Bloomsday. Jamie also chats about James Joyce and what Bloomsday means to him.
A Week of Blooming Wisdom
All moanday, tearsday, wailsday, thumpday, frightday, shatterday…
To celebrate the Bloomsday Festival that runs over the coming days (Bloomsday being Friday 16th), I’ve taken some quotes from Best-Loved Joyce that have inspired me, and I hope they inspire you. Using Joyce’s iconic days of the week in Finnegans Wake, here are seven(ish!) of my favourite Joyce quotes, which showcase some of his profound insights:
I want to see everyone… all creeds and classes… having a comfortable tidysized income… I call that patriotism.
The object of the artist is the creation of the beautiful. What is beautiful is another question.
Upon the release of his photographic collection, Eric Luke looks back over forty years capturing the changing faces of Ireland.
The Garda put his two hands together to form a stirrup. I placed my foot in the hold and he hoisted me over the high wall. Shimmying down the other side, I looked for a gap in the crowd of protesters, then landed squarely on Lansdowne Road. Not a glamorous exit from the oldest rugby ground in the world, but I was on a mission. I barged my way through the mass of people and headed for Jury’s Hotel, Ballsbridge. There, a telex-operator took the Press Association copy and transmitted the breaking news directly to London.
The occasion was an international rugby match between Ireland and South Africa in 1970. A large group of anti-apartheid protesters had gathered outside Lansdowne Road, and I was delivering copy for my brother, a news reporter with the Press Association in London’s famous Fleet Street. This was my first time to experience the excitement of a hot news story, breaking before my very own eyes, and I was a part of it. A small link in the chain from eyewitness to reader. While I didn’t own a camera to capture this bit of history, I believe it was here I got my love for a great news story.
Moving from being a press messenger for one day off school to being a staff photographer with the largest newspaper group in Ireland proved as big a jump as over that stadium wall. Yet in 1973 I was offered the position of staff photographer with the Irish Press Group. Shooting pictures for the morning daily and The Evening Press, alongside excursions for The Sunday Press, saw the start of a forty-three-year journey that culminated with my current position on The Irish Times. A four-decade whirlwind, and a bit of a blur.
I photographed presidential inaugurations and state funerals, rioting on the streets and peaceful protests, everyday life in rural Ireland and a vastly changing capital city; the job was never predictable. But what was predictable was the necessity to put ‘my old negatives’ in some form of order. And so when I was invited by The O’Brien Press to publish a selection of my work, I jumped at the opportunity.
Poitín-making in Mayo shot on colour transparency film in the 1980s, Tory Island life in black & white in the 1970s, rock music by Rory Gallagher, Thin Lizzy and U2 over three decades – it all fell into place. With a good editor and a great layout, all that was required of me was to assemble a selection of work and write some copy to accompany the images.
Everybody at The O’Brien Press came on board, and with their guidance and encouragement I managed to put my photographs in order. In many ways the experience was as much fun as taking the original pictures.
Dalkey barber Dom McClure:
It’s funny how we overlook what’s sitting on our own doorstep. Growing up in Dalkey, County Dublin, the local barber, Dom McClure, featured regularly, providing a short-back-and-sides to satisfy the demands of the local school principal. Years later in the 1980s, I went back to photograph his barber shop, and spending the day observing him at work helped to produce a small piece of local history which I now look back fondly on. The interior of his establishment looking somewhat like a theatre set, with Dom on stage in the spotlight. These pictures provided a neat selection for the chapter on Dalkey in Looking Back.
Martin Sheen on Main Street:
Sifting back over ‘my old negatives’ I also came across a photograph of local man Des O’Brien with the actor Martin Sheen. This was not a Hollywood-style photo shoot but a pint interrupted and a favour for a friend, recording the movie star’s appearance on Dalkey’s Main Street to film the Hugh Leonard film Da.
Tory Island, Donegal:
My first visit to photograph Tory Island in the 1970s was not as simple as planned. Without transport to the island, I worked my passage by helping to load a boat with turf. On arrival I was surprised to find the island didn’t support a hotel or pub, and I was eventually accommodated in a local cottage. With great hospitality the islanders welcomed me, and the selection of photographs taken over the following ten days provided the bones for a chapter in the book on Tory. Many trips since have brought this work up to date.
Looking Back has given me a platform to show photographs that otherwise would be gathering dust in my attic; the archive of forty years has now got a new lease of life. Working for newspapers, I’m used to a photograph getting great exposure on the front page only to be replaced twenty-four hours later by a new front page and a new accompanying photograph. This lovely hardback presentation by The O’Brien Press is here to stay, and I look forward to leafing through the pages for years to come.
Eric Luke, December 2016
Looking Back – The Changing Faces of Ireland is available here and in all good bookshops!
O’Brien Press Publisher, Michael O’Brien, talks about developing and publishing the 16Lives series over the past eight years.
It’s easy to say yes to a brilliant concept! When Lorcan Collins marched into The O’Brien Press with the great idea of 16 Lives, a series of biographies of the sixteen executed leaders of the 1916 Rising, all to be published in time for the centenary in 2016, our response was, ‘A simple but brilliant idea,’ and ‘Go for it!’. That was in November 2007. Lorcan suggested adding Ruán O’Donnell, senior lecturer in history at the University of Limerick, as series co-editor, bringing his huge historical knowledge and academic credibility to the table.
But it wasn’t simple to anticipate all the challenges involved in a series of this scale. One fear was that some of the less well-known figures, like Thomas Kent and Michael Mallin, were too obscure, without enough known about them to make a book or find an audience. But with 2016 on the horizon, archives were opening and new facts emerging, and our ambition to create a more truthful and less propagandist history was made possible. In the case of Kent in particular, author Meda Ryan was surprised by the depth and range of information available about him and his networks.
We recognised early on the value of adding photographs to each book in the collection – of the people, their lives, their actions. Lorcan helped create a collection of hundreds of photos, which were distributed for reproduction across the 16 Lives series. The book spines are an added treat: when the sixteen books are put together, a picture of O’Connell Bridge c.1916 emerges (buy a set and see for yourself).
The 2016 centenary could have been a cynical damp squib marred by a simple-minded, propagandist approach. Apparently, at one stage the British government proposed the ‘Decade of Remembrance’ model, where we would honour the First World War, the War of Empires, equally with our struggle for independence against the very same imperialists. The Queen of England was offered as part of the 1916 package (of course she had a very successful visit in 2011). Stirring speeches at several 16 Lives launches opposed this formula. In fact, the centenary has inspired and moved young and old, native and visitor, and our friends in the EU and Britain to respect Ireland’s cultural revolution. It has encouraged a renewed look at the values of the Proclamation ‘To the People of Ireland’, all seven signatories of which were executed by the British (as well as the nine other leaders of the Rising).
We conclude the 16 Lives series with a launch by Chief Justice Susan Denham in the GPO, the dramatic HQ and symbol of the Rising (what a strange, inadequate word). We have had eight launches over four years as the books were born, and the audiences have included many descendants of the leaders who organised what in retrospect was Ireland’s cultural revolution: Cumann na mBan, Gaelic League, GAA, Abbey Theatre, Fenians, Sinn Féin, IRB, and other movements in the USA. Many of the sixteen leaders were poets and playwrights, including Pearse, MacDonagh, Plunkett, Casement, Kent, O’Hanrahan and even Connolly.
The 16 Lives project began in 2007 and, over eight years later, is now complete. History will judge its value. Thank you to everyone who made it happen: to Lorcan, Ruan and the individual authors who brought each of the sixteen to life so vividly; to the army of editors, researchers, indexers and designers who ensured the books are attractive, readable, reliable, and above all, fascinating; and to the marketing and sales staff who are working so hard to get the books into the hands of readers.
This month, we’re celebrating all things Irish with the publication of You Know You’re Irish When … by Séamus Ó’Conaill. Seamus has compiled a hilarious list of iconic Irishisms, from classic Irish quirks to the more recent additions of what it means to be from the Emerald Isle. Here are some of the highlights:
You Know You’re Irish When …
You’ve no idea what is the difference between Fianna Fáil and Fine Gael
Most of your overdraft in your thirties was going to friend’s country weddings
Until you were twenty-five, your favourite cheese was EasiSingles
Mammy let you watch all the violence and swearing on TV you liked. But God forbid there was any ‘sexy’ stuff going on
You vote for your local representative because, didn’t your father vote for his father?
You know where you were when Anne Doyle announced she was retiring from RTE News
After you turn forty, you find yourself buying the local paper for ‘the deaths’
They’re not ‘errands’. They’re ‘the messages’
You know what ‘I’m running five minutes late’ really means
You were warned as a child you’d get ‘square eyes’ from looking at the telly
You ask someone: ‘Are you goin’ out, or are you goin’ *out* out’
Anymore Irishisms you know of? Tweet us at @OBrienPress!
‘Seamus O Conaill has distilled our very nature into the pages’ Irish Daily Mirror
‘He’s compiled a list of things that are unique to us Irish – and he’s nailed it!’ Today FM’s Early Breakfast Show
Author Jan Michael writes about her inspirations for writing The Rock Boy in 2001, the story of a Albanian refugee boy finding shelter in Malta:
I have visited the Mediterranean island of Malta ever since my parents moved there some forty years ago. I love the island’s quirkiness, its rich history and buildings, its country walks, and I love swimming from rocks into the sea. The language is Semitic, so even though the island is Catholic, God is ‘Alla’ (pronounced ‘Allah’). That’s because Malta was first inhabited by Phoenicians, who came from present-day Syria, and later governed by the Arabs. Now Syrians are one of the largest groups of people who come to Malta after fleeing their country because of war. Many other refugees come from Albania. They have been escaping since the 1990s, and even today, Albanian children are still being trafficked into Western Europe.
When I wrote The Rock Boy, many Albanians were fleeing their country, coming across the Mediterranean, and landing in southern Italy and Malta. In the book, I write about one boy called Artan, who is discovered washed up in a rocky cove by young Jo. He is battered and bruised and barely conscious. Jo, along with her friend Andreas, shelters him, feeds him – and hides him from her family, and from the police. Eventually her family does find out, but fortunately, through sponsorship, Artan is allowed to stay.
I didn’t set out to write a book about boat refugees, but that’s how it turned out. As I started the story of Jo and her adventures, I was reading in the local paper about refugees arriving in Malta by boat. I went to see the woman who had opened the refugee centre, and what I heard from her – and what I went on to read about – became the major part of Jo’s story.
Malta is a small island and pretty crowded, but I was impressed by the Maltese kindness and generosity to the desperate people arriving on their shores from Albania, and more recently, from Syria, Libya and Eritrea. I knew, though, that not everyone feels so welcoming, and that’s why Jo shelters Artan in secret.
Around the same time, in a British newspaper, I read about two brothers who escaped from political thugs in Kashmir, India, by stowing away over the wheel casing of an aeroplane. When the plane landed at Cairo Airport, the older boy had frozen to death on top of his brother and had to be peeled off. His protection had saved the life of his younger brother. Their story burrowed its way into my mind, and that younger brother somehow merged into an Albanian boy I called Artan.
Whenever I read or hear of such stories, I think of the hospitality, always warm and generous, that I have witnessed in the many countries I have lived in and visited. I think of the kindness of strangers and hope that I, too, if called upon, would be as warm and welcoming as they.
Born in the Yorkshire Dales, Jan Michael spent an idyllic childhood there and in the Seychelles, also living in Lesotho and Pakistan. Since university, she has worked as an editor and literary agent in London, Amsterdam and Yorkshire. She has written thirteen books which have been published in several languages, including the children’s novels Hill of Darkness, The Rock Boy (also performed as children’s opera in Germany), Just Joshua (winner: Dutch Vlag en Wimpel prize), Leaving Home (winner: Dutch Silver Slate Pencil and the Jenny Smelik-IBBY Prize) and Moorside Boy.