I wrote Queen of Coin and Whispers for me: the teenager who loved fantasy and was searching for a mirror amid the magic, the dragons, and the werewolves.

by City Headshots Dublin

Helen Corcoran, author of Queen of Coin and Whispers, tells us about why she wrote her amazing debut novel. 

I’ve been a reader for as long as I can remember. I can’t pinpoint when reading became a need on par with breathing, but I know when I realised I wanted to be a writer. I was eight, reading one of Enid Blyton’s Amelia Jane books, and it clicked in my brain that someone had put all these words and sentences into chapters, and had made a book that I couldn’t put down until I reached the end. More than anything, I wanted to be that kind of person.

Like most readers, I devoured books, tore through them like they’d all disappear if I didn’t read fast enough. My library loan limit went up and up, as my parents and the local librarian tried to keep up with me. I still wanted to be a writer, but I didn’t know what I wanted to write about. So, I read and read, as if hoping what to write would present itself in the words.

And it finally did.

A bookseller suspected I might like a book called Alanna: the First Adventure by Tamora Pierce. They were right.

My world was blown wide open. I’d dabbled around fantasy and magic, but now I flung myself into the genre and didn’t look back. Dragons, wizards, monarchs, vampires, werewolves, mages; Tamora Pierce, Michael Scott, Philip Pullman, Christopher Pike, Mervyn Peake. I worked through them all. I’d found my genre: I loved reading in a way I hadn’t before. I was living in a village in Cork, but books presented me with a window to different worlds.

But they weren’t giving me a mirror: characters in which to see myself reflected. I wasn’t searching just for characters to empathise with and look up to, but also for ones who were queer. Because—like many teenagers before me, and many more after me—I’d realised I wasn’t straight.

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