This week we chatted with the wonderful Gerry Daly, co-creator and illustrator of Where Are You, Puffling?. Gerry’s uncle Sean came up with the initial idea, and the story developed from there! Gerry tells us all about the journey of this adorable picture book, including working with the brilliant Erika McGann.
What inspired your uncle Sean to write this story to begin with?
When Sean was visiting the Skellig islands he noticed that the puffins and the rabbits seemed to be getting along together as they went about their business. He heard they even share their burrows! Or at least the rabbits move back in once the puffins head out to the ocean for the winter. Sean imagined they might help each other out in times of need, and he thought this could make a good story for his grandsons.
What was it like to work with Sean on this?
Great fun! Sean showed me his finished text, and had the idea that I might add some illustrations to it. He would then have just a few printed up, for the boys and the rest of the family. We had already worked together on a short family history book. That self-published book showed Sean’s great interest in genealogy, Irish history and places. His enthusiasm for the Skellig story was very infectious. It wasn’t long before we were working on ideas for images and layout. He’d often say, ‘I love it, now we’re sucking diesel!’
Unfortunately, around this time Sean had been diagnosed with cancer, and he passed away not long after. I was then back at college doing a masters, and didn’t have much time to look at the book for a while, but eventually I managed to add the illustrations. I didn’t have a title to the story, so my dad suggested ‘The Skellig Shenanigans’. I had a few printed up, which came as a nice surprise to family and friends, most of whom had no idea that this had been in the making. I didn’t want the story to just be forgotten, and felt it really had to be finished best I could manage.
Our wonderful Editor, Helen Carr, took some time to talk to me about the her job, the books she’s currently working on, what she loves about her work and advice for aspiring editors!
What is your role in The O’Brien Press?
I’m a senior editor at The O’Brien Press. We’re a small company, 15-20 staff, so all the editors turn their hands to everything – I do managerial tasks, substantive editing, copyediting and proofreading, as well as working on blurbs, handling reprints and doing a certain amount of admin. I edit or manage about twenty books a year – a mix of general and children’s – on subjects ranging from fiction to current affairs, cookery to sport. There’s a great range within the children’s books I edit too; it can be anything from YA fiction, to picture books, to middle-grade non-fiction.
What do you like best about your role?
I love the variety. Some days I might spend mainly copyediting, while other days could be full of administration and planning. In terms of editing, I think my favourite thing is the substantive edit. I love meeting authors, talking about their books and their characters, getting a feel for the book and how we could work on it to shape it. I’ve just had a meeting with one of my authors, Ger Siggins. Ger is the author of the six-book ‘Rugby Spirit’ series about young rugby star, Eoin Madden and the ghosts he encounters. Now we’re discussing the first book in his exciting new ‘Sports Academy’ series, which will be out in early autumn. It’s called Atlantis United and it’s about five sports-mad kids who are selected for a very special and mysterious sports academy where they are trained to become the best in the world – and have many adventures along the way. It was great to talk through the plot and hear what he has planned for the characters in future books.
I also really love the development process on kids’ picture books. I work very closely with our designer, Emma Byrne and we’re currently finalising a beautiful and informative picture book called Island of Adventures; Fun things to do all around Ireland by Jennifer Farley. It’s going to be gorgeous, and I think families will love looking at the fun-filled, full-colour spreads of Irish adventures – everything from surfing to St Patrick’s Day parades features! I love to see the story take shape and see the images develop from roughs to final art. Continue reading “A Chat with Editor Helen Carr”
Conor Kostick, author of the brilliant sci-fi series The Avatar Chronicles, chats about imagination, online gaming and the growing popularity of LitRPG.
In 2003, I had an idea for a novel, which was inspired by a newspaper article claiming that the value of trades of virtual goods was sufficiently large (several billion dollars) that if it were a country it would rank greater than Bulgaria. What, I wondered, if this trend were to grow until your activity in virtual environments really mattered? What if the celebrities of the world were not sports stars and music stars, but gamers…?
I wrote Epicextremely quickly. In all the years and books since, I’ve never experienced anything like the same immersion in the world of my imagination. It was the summer between finishing my degree and starting a PhD and I knew this free time was precious. So every evening I would write until the early hours of the morning and during the day I would edit. So intense was my involvement with the book that my dreams were filled with it and I learned the value of keeping a notebook and pen beside me.
Gerard Siggins, author of the Rugby Spirit series and this year’s World Book Day book Rugby Roar, chats about the coming to the end of a series that began as a one book adventure and turned it to something bigger and better!
BOOK SIX of my ‘Rugby Spirit’ series is just out, and it may just be the last of the set. I never planned it as a series – I suppose most first-time novelists don’t have the sort of confidence that your publishers will want to keep publishing them and your readers will keep reading them.
No, Rugby Spirit was a once-off, a combination of a bedtime story my son kept pestering to write down, and a historical itch that needed scratching. I was chuffed that O’Brien Press said they would like to issue it, and even more delighted that they told me immediately to go off and write a sequel.
The first book concerned a boy coming to a new sport and finding advice and fellowship in the ghost of a long-dead rugby player. That character, Brian Hanrahan, was the only person ever to die playing sport in Lansdowne Road. He helps Eoin to get better at rugby, but also helped him to solve a mystery and understand more about the past.
As I sat down to plan Book 2, I tossed around ideas such as keeping it just to Eoin and Brian again, or taking out the supernatural element. But I realised that I could take it on a bit by keeping Eoin and Brian and adding a new ghost to the story. Rugby Warrior brought in Dave Gallaher, an Irish-born player who was the first captain of New Zealand’s All Blacks and who died in World War One. Continue reading “A Rugby Roar at the End of a Series”
Happy 2018 to everyone! To start of the New Year we at OBP chatted to author and illustrator Sarah Bowie about her upcoming picture book We’re Going to the Zoo!
What inspired you to write We’re Going to the Zoo?
I have very clear memories of going to the zoo myself when I was a little girl and I wanted to remember what it was like when you’re seeing these wild and exotic creatures for the first time in real life
What was your process for creating this book?
I started very simply, with a sketchpad and pencil. I tried to bypass my ‘front brain’ by just doodling and writing as quickly as possible. After a while I started to hear a grumpy little voice saying ‘The zoo is BORING!’, which is not what I’d been aiming for at all. However, I just went with it, kept doodling and writing and listening to what she and the other characters were saying. The important thing at the early stage is not to judge, you can always go back and fix things later. So that was how I got the original proposal written. After that I focused on page layout and pacing. It’s usually at this stage that I finalise the writing too. Once that’s nailed down, I focus on the artwork. Continue reading “We’re Going to…. Chat to Sarah Bowie”
Tatyana Feeney, author and illustrator of the wonderful picture book Socks for Mr Wolf, shares her story about where this quirky character came from and shows us the awesomeness of socks!
Poor Mr. Wolf, he is so often mistaken for a fox! And although ‘socks’ and ‘fox’ rhyme, Mr Wolf was always going to be a wolf even before he had his lovely socks …
My stories usually start with a character. I like to draw the character and think about a story that might develop around them. I had been drawing a wolf character for a while; he actually started life when I was a student at art college, and I was always hoping that he would have a story, but there was never one that seemed exactly right.
I liked the idea of the wolf being a friendly character, rather than the typical ‘big, bad wolf’, but I wasn’t able to think of something that seemed like a great, original story for him.
Author and illustrator Alan Nolan chats about writing, illustrating and the inspiration for Sam Hannigan’s Woof Week!
Sam Hannigan began life in one of my battered sketchbooks as a sketch of a young girl with freckles, playing an oversized guitar and wearing a cowboy hat. As with most of my characters, she came into my head in the middle of the night, cowboy hat and all, and I scrambled at the side of my bed for a sketchpad and a pencil to get her down on paper before she pulled up the bedroom window blind and escaped. As usual, to avoid waking my wife, this was drawn almost completely in the dark – when I woke up in the morning I had to make sense of the manic, spidery scribble, which I’d jammed into my shoe so I’d remember I’d done it in the first place.
Beside the sketch I had written ‘Brianna Buckley, plays guitar, eats dog biscuits, best friend is a boy, bully brother, parents country music fans = Dolly and Kenny, big dog, brain swap’.
I pitched the idea to The O’Brien Press. They loved the character of Brianna Buckley, but didn’t much like the name Brianna. They also thought the storyline – with Brianna as an X-Factor-like contestant brain-swapping with a dog and competing in the TV programme against her parents, Derek and Dodo, whilst trying to save (a) her house from being repossessed and (b) an international Russian supermodel and an emperor penguin from the clutches of a gangster called Terry the Thump – was a little convoluted and not overly child-friendly. ‘Think about who you are writing for,’ said Ivan. ‘Are you writing for children or for yourself?’ Continue reading “Alan Nolan on Sam Hannigan’s Woof Week”
The O’Brien Press were delighted to win a Sockie last night for the Best Blog of an SME! Congratulations and a huge thank you to all of our authors who write inspirational pieces for our blog and to the OBP team for their creativity and energy!
The greatest fort I’ve ever seen was one I didn’t help to build. It was built by the big kids. And it was probably a crime.
Nicknamed ‘The Tunnel’, it was a huge crater dug in the middle of a field; the crater was covered by aluminium sheeting, which was covered by soil, which was covered by branches, leaves and grass. It was entirely underground and it was awesome.
I wasn’t allowed into the Tunnel. None of the small kids were. We had to watch enviously, hidden in the hedgerows, while the big kids crawled in and out through a narrow trapdoor on one side. I’d forgotten about that bit – it had a freakin’ trapdoor.
The forts me and my friends made (or acquired) were much less impressive, but I remember the kick we got out of naming a secret camp and vowing to stash a bin bag full of sweets there (to be bought with months of saved pocket money … if we could just get around to actually saving it). That seemed to be the main function of a secret fort – somewhere to stash the loot. A limitless supply of chocolate, crisps and penny sweets was the dream. For the sake of our local shopkeeper, it’s a good thing that never came true. Spending 30p could easily take twenty minutes or more of careful consideration at the sweet counter. Choosing a bagful would have taken weeks.
With the publication of Starring Meg nearly upon us, Natasha Mac a’Bháird talks about her inspirations for the Star Club Series. Natasha chats about her narrators and how she finds herself becoming attached to them.
When I visit schools to talk about my books, they always want to know where I get my ideas. It’s a really tough one to answer. Ideas come from all sorts of places – something I’ve read, a conversation with someone – but they rarely have a clear form, more like something vague emerging from a fog that I try to grasp on to.
My new series, Star Club, is a bit easier to explain. I can trace the roots of this idea right back to when I was the same age as the four girls in the books. At twelve the thing I was most passionate about was reading (no change there then!), but a close second was drama. I loved everything about it from creating characters to dressing up to making up stories. Like the Star Club girls, I used to put on shows, roping in my sister and brothers and sometimes friends and neighbours too to act and sing and dance with me. Hannah’s brothers, Zach and Bobby, are loosely based on my own brothers – when we wanted them to be in one of our plays, my sister and I always had to make sure there was a sword fight in it, so we could send them off to practise that scene on their own when they were starting to lose interest (or getting in our way …) Continue reading “Natasha Mac a’Bháird on the Star Club Series”