An Amazing New Children’s Sports Series Begins….

 

We at the O’Brien  Press are delighted to be publishing the first two books in the all new Great Irish Sports Stars series: Cora Staunton and Colm ‘Gooch’ Cooper. Ivan O’Brien, Eimear Ryan and Donny Mahoney chatted with me about this new series. 

Ivan O’Brien

Sport is becoming an ever-increasing part of the lives of many children, and it really gets them excited. We have published quite a few novels for young readers with sporting themes (you can see them here: http://www.obrien.ie/childrens/sport-childrens) and seen the way young readers devour them! Fiction is great, but it’s not real life, and role models are hugely important, so we had an idea: why not create a series of books about Ireland’s greatest sporting heroes, written for children? Unlike sports biographies for adults they would focus on the hero’s childhood and the key moments in their lives that made them a success. We approached some writers who we knew would do a great job, and Great Irish Sports Stars was born!

Eimear Ryan

As a young GAA-mad girl growing up in Tipperary, most of my idols were men. When I was pucking out the back, I’d pretend to be Nicky English or DJ Carey – or, if I was playing football for a change, Charlie Redmond or Maurice Fitzgerald. I knew of female GAA players, of course – the Downey sisters of Kilkenny, Laois footballer Sue Ramsbottom, and legendary Tipp camogie forward Deirdre Hughes. But you would only really hear about these players in September, when RTE broadcast the women’s All-Ireland finals. Unlike the men, they didn’t often get featured on The Sunday Game or turned into pull-out posters.

Then along came Cora.

Cora Staunton was one of the first crossover stars of women’s GAA. Crucially, Cora’s breakthrough in the early 2000s coincided with TG4’s sponsorship of the ladies football championship, so her career was televised from early on. Her undeniable prowess was there for everyone to see, and soon enough, she started popping up in Lucozade ads and in in-depth interviews in the sports pages. Not only was she a brilliant female player, she was a highly visible one.

In my research for the book, I took great inspiration from Game Changer, Cora’s aptly-named autobiography written with Mary White. It gives very honest insights not just into Cora’s football career, but into the personal tragedies she has lived through, such as losing her mother when she was sixteen. Later, she lost a teammate and friend, Aisling McGing, when Aisling was just eighteen. Time and time again, when faced with personal loss, Cora turned to football for solace. Her story demonstrates the importance of sport not just as a physical outlet, but as a mental and emotional outlet as well.

Cora is inspiring because of her swagger – her total belief in her own ability and the very high standards she set for herself. She is by no means a ‘safe’ player – she takes risks, and is rewarded more often than not. For most players, scoring an outlandish tally of 2-10 would be a career highlight; for Cora, it’s just another day at the office. At the same time, she’s genuine and down-to-earth off the pitch. Her unapologetic ambition, coupled with her down-to-earth attitude, is what makes her such an exciting player to watch.

Donny Mahoney

What makes a genius? Are they born or made?

Colm ‘Gooch’ Cooper was a human highlight reel during his Gaelic football career for Kerry, a magician with the ball in his hand. But unlike many contemporary sporting phenoms who seem anointed for greatness from childhood, Cooper’s success was never a sure thing.

This was what drew me to the story of the Gooch for my book in the Great Irish Sport Stars series. I thought young readers would be drawn to the story of how a good footballer became one of the game’s greats.

From a young age, Cooper loved sport and was incredibly driven. He brought a Gaelic football with him everywhere he went. But in his teenage years, he was doubted and overlooked by coaches and selectors because of his size.

The book tells the story of Cooper’s GAA journey from his estate in Killarney to the steps of the Hogan Stand. It also tries to convey the mystique of Kerry football. For as long as I’ve been watching Gaelic football, I’ve been fascinated by Kerry football, and the Gooch has been central to that.

From researching and writing the book, what I found most striking was the enduring power of the club for Cooper. The Gooch experienced more famous days in Croke Park than the vast majority of GAA players, but what truly mattered most to him were the experiences with his club, Dr Crokes.

In a way, Colm Cooper’s GAA story is bookended by two experiences with his club: acting as a mascot when they won the 1992 club All-Ireland and winning the club All-Ireland with Dr Crokes in 2017. The story of the club is the story of so many Irish communities.

It was a privilege to tell Cooper’s GAA journey for young readers. Books about sport were so important to my own youth. They fostered not just a lifelong love of sport, but of storytelling too. All good sports books – no matter what age group they’re aimed at – touch on universal themes: hope, failure and glory.

These themes run across the great career of Colm Cooper, and hopefully young readers who may have never seen the Gooch in full flight will be fascinated by his story.

 

Cora Staunton and Colm ‘Gooch’ Cooper will be published 12 August 2019 and will be available in all good bookshops and on www.obrien.ie 

Ivan O’Brien, Eimear Ryan and Donny Mahoney August 2019

Where Are You, Puffling? and Where Did You Come From?

This week we chatted with the wonderful Gerry Daly, co-creator and illustrator of Where Are You, Puffling?. Gerry’s uncle Sean came up with the initial idea, and the story developed from there! Gerry tells us all about the journey of this adorable picture book, including working with the brilliant Erika McGann.

What inspired your uncle Sean to write this story to begin with?

When Sean was visiting the Skellig islands he noticed that the puffins and the rabbits seemed to be getting along together as they went about their business. He heard they even share their burrows! Or at least the rabbits move back in once the puffins head out to the ocean for the winter. Sean imagined they might help each other out in times of need, and he thought this could make a good story for his grandsons.

What was it like to work with Sean on this?

Great fun! Sean showed me his finished text, and had the idea that I might add some illustrations to it. He would then have just a few printed up, for the boys and the rest of the family. We had already worked together on a short family history book. That self-published book showed Sean’s great interest in genealogy, Irish history and places. His enthusiasm for the Skellig story was very infectious. It wasn’t long before we were working on ideas for images and layout. He’d often say, ‘I love it, now we’re sucking diesel!’

Unfortunately, around this time Sean had been diagnosed with cancer, and he passed away not long after. I was then back at college doing a masters, and didn’t have much time to look at the book for a while, but eventually I managed to add the illustrations. I didn’t have a title to the story, so my dad suggested ‘The Skellig Shenanigans’. I had a few printed up, which came as a nice surprise to family and friends, most of whom had no idea that this had been in the making. I didn’t want the story to just be forgotten, and felt it really had to be finished best I could manage.

Continue reading “Where Are You, Puffling? and Where Did You Come From?”

Conor Kostick on Ready Player One, Epic and LitRPG

Conor Kostick, author of the brilliant sci-fi series The Avatar Chronicles, chats about imagination, online gaming and the growing popularity of LitRPG.

In 2003, I had an idea for a novel, which was inspired by a newspaper article claiming that the value of trades of virtual goods was sufficiently large (several billion dollars) that if it were a country it would rank greater than Bulgaria. What, I wondered, if this trend were to grow until your activity in virtual environments really mattered? What if the celebrities of the world were not sports stars and music stars, but gamers…?

I wrote Epic extremely quickly. In all the years and books since, I’ve never experienced anything like the same immersion in the world of my imagination. It was the summer between finishing my degree and starting a PhD and I knew this free time was precious. So every evening I would write until the early hours of the morning and during the day I would edit. So intense was my involvement with the book that my dreams were filled with it and I learned the value of keeping a notebook and pen beside me.

I’d wake up with an insight, jot it down, and fall back to sleep. Continue reading “Conor Kostick on Ready Player One, Epic and LitRPG”

A Rugby Roar at the End of a Series

Gerard Siggins, author of the Rugby Spirit series and this year’s World Book Day book Rugby Roar, chats about the coming to the end of a series that began as a one book adventure and turned it to something bigger and better!

BOOK SIX of my ‘Rugby Spirit’ series is just out, and it may just be the last of the set. I never planned it as a series – I suppose most first-time novelists don’t have the sort of confidence that your publishers will want to keep publishing them and your readers will keep reading them.

No, Rugby Spirit was a once-off, a combination of a bedtime story my son kept pestering to write down, and a historical itch that needed scratching. I was chuffed that O’Brien Press said they would like to issue it, and even more delighted that they told me immediately to go off and write a sequel.

The first book concerned a boy coming to a new sport and finding advice and fellowship in the ghost of a long-dead rugby player. That character, Brian Hanrahan, was the only person ever to die playing sport in Lansdowne Road. He helps Eoin to get better at rugby, but also helped him to solve a mystery and understand more about the past.

As I sat down to plan Book 2, I tossed around ideas such as keeping it just to Eoin and Brian again, or taking out the supernatural element. But I realised that I could take it on a bit by keeping Eoin and Brian and adding a new ghost to the story. Rugby Warrior brought in Dave Gallaher, an Irish-born player who was the first captain of New Zealand’s All Blacks and who died in World War One. Continue reading “A Rugby Roar at the End of a Series”

We’re Going to…. Chat to Sarah Bowie

Happy 2018 to everyone! To start of the New Year we at OBP chatted to author and illustrator Sarah Bowie about her upcoming picture book We’re Going to the Zoo!

What inspired you to write We’re Going to the Zoo?

I have very clear memories of going to the zoo myself when I was a little girl and I wanted to remember what it was like when you’re seeing these wild and exotic creatures for the first time in real life

What was your process for creating this book?

I started very simply, with a sketchpad and pencil. I tried to bypass my ‘front brain’ by just doodling and writing as quickly as possible. After a while I started to hear a grumpy little voice saying ‘The zoo is BORING!’, which is not what I’d been aiming for at all. However, I just went with it, kept doodling and writing and listening to what she and the other characters were saying. The important thing at the early stage is not to judge, you can always go back and fix things later. So that was how I got the original proposal written. After that I focused on page layout and pacing. It’s usually at this stage that I finalise the writing too. Once that’s nailed down, I focus on the artwork. Continue reading “We’re Going to…. Chat to Sarah Bowie”

Alan Nolan on Sam Hannigan’s Woof Week

Author and illustrator Alan Nolan chats about writing, illustrating and the inspiration for Sam Hannigan’s Woof Week!

Sam Hannigan began life in one of my battered sketchbooks as a sketch of a young girl with freckles, playing an oversized guitar and wearing a cowboy hat. As with most of my characters, she came into my head in the middle of the night, cowboy hat and all, and I scrambled at the side of my bed for a sketchpad and a pencil to get her down on paper before she pulled up the bedroom window blind and escaped. As usual, to avoid waking my wife, this was drawn almost completely in the dark – when I woke up in the morning I had to make sense of the manic, spidery scribble, which I’d jammed into my shoe so I’d remember I’d done it in the first place.

Beside the sketch I had written ‘Brianna Buckley, plays guitar, eats dog biscuits, best friend is a boy, bully brother, parents country music fans = Dolly and Kenny, big dog, brain swap’.

I pitched the idea to The O’Brien Press. They loved the character of Brianna Buckley, but didn’t much like the name Brianna. They also thought the storyline – with Brianna as an X-Factor-like contestant brain-swapping with a dog and competing in the TV programme against her parents, Derek and Dodo, whilst trying to save (a) her house from being repossessed and (b) an international Russian supermodel and an emperor penguin from the clutches of a gangster called Terry the Thump ­– was a little convoluted and not overly child-friendly. ‘Think about who you are writing for,’ said Ivan. ‘Are you writing for children or for yourself?’ Continue reading “Alan Nolan on Sam Hannigan’s Woof Week”

Sockies 2017 – Best Blog of an SME!

The O’Brien Press were delighted to win a Sockie last night for the Best Blog of an SME! Congratulations and a huge thank you to all of our authors who write inspirational pieces for our blog and to the OBP team for their creativity and energy!

 

 

Erika McGann on Forts, Childhood Rebellion, and the Legend of Farmer Hearty

Erika McGann, author of the Demon Notebook Series, chats to us about her new Cass and the Bubble Street Gang series. The Clubhouse Mystery is the first book in this new series!

The greatest fort I’ve ever seen was one I didn’t help to build. It was built by the big kids. And it was probably a crime.

Nicknamed ‘The Tunnel’, it was a huge crater dug in the middle of a field; the crater was covered by aluminium sheeting, which was covered by soil, which was covered by branches, leaves and grass. It was entirely underground and it was awesome.

I wasn’t allowed into the Tunnel. None of the small kids were. We had to watch enviously, hidden in the hedgerows, while the big kids crawled in and out through a narrow trapdoor on one side. I’d forgotten about that bit – it had a freakin’ trapdoor.

The forts me and my friends made (or acquired) were much less impressive, but I remember the kick we got out of naming a secret camp and vowing to stash a bin bag full of sweets there (to be bought with months of saved pocket money … if we could just get around to actually saving it). That seemed to be the main function of a secret fort – somewhere to stash the loot. A limitless supply of chocolate, crisps and penny sweets was the dream. For the sake of our local shopkeeper, it’s a good thing that never came true. Spending 30p could easily take twenty minutes or more of careful consideration at the sweet counter. Choosing a bagful would have taken weeks.

There were secret forts and camps dotted all over the fields that stretched beyond the housing estate where I lived, and they were made all the more exciting and dangerous by the legend of Farmer Hearty. Continue reading “Erika McGann on Forts, Childhood Rebellion, and the Legend of Farmer Hearty”

Gerard Siggins on Rugby and Writing

Gerard Siggins chats about his love for rugby and his passion for books ahead of the publication of the fifth book in the Rugby Spirit series – Rugby Runner!

I never really intended to write for young readers. I had enough problems making older ones engage with my weekly column on that esoteric (for Ireland) sport of cricket. But a series of coincidences and chance meetings led me to write the Rugby Spirit series, the fifth of which has just been published.

I grew up – and still live – beside Lansdowne Road, a magical site soaked in the sweat of 100,000 sportsmen and women where the dramas and delights of sport have been played out for nearly a century and a half. As boys, we used it as a playground – in those pre-security guard days we had free run of the stadium and even got to kick and run on the holy turf of the main pitch.

I grew up and became a sports journalist, and found myself returning to Lansdowne Road for big games. Every visit was special, and always brought back memories of my own and of the deeds of the past.

When it was decided to level the grand-stands and bring it back as a shiny, kidney-bowl shaped stadium, I resolved to capture those deeds in a book. With colleague Paul Howard, (later replaced by Malachy Clerkin when Paul, by then busy with Ross O’Carroll-Kelly, “couldn’t be orsed”), we put together a series of tales under the title Lansdowne Road, the Stadium, the Matches, the Greatest Days (O’Brien Press 2010). Continue reading “Gerard Siggins on Rugby and Writing”

A Publishing Fairytale

This month we catch up with Nicola Colton. She tells the story behind the creation of her critically acclaimed picture book, A Dublin Fairytale:

A Dublin Fairytale began as a daydream on the bus; I imagined archetypal fairytale characters inhabiting famous landmarks and places in Dublin. The idea’s first application came in the form of a ‘promotional pack’ comprised of five postcards featuring characters like a troll at the ‘Ha’penny Bridge’ and a dragon at the ‘Spire’. I also created an illustrated map of the city, featuring famous landmarks like Trinity College, which became ‘Trinity College of Sorcery’ and different characters like mermaids inhabiting the River Liffey. I sent the promotional pack off to prospective clients and Emma, the art director from The O’Brien Press, saw potential in the idea as a picture book.

I began to look at bringing the characters together to form a story. I wanted the narrative to follow a fairytale-type structure and also allow the reader to explore Dublin. I worked out a route for Fiona, the main character, to take and began the story from there. Helen, my editor, was very helpful and encouraging during this process. I was really excited to feature Dublin in a picture book and to illustrate places that were familiar to me and to bring them to life in a magical way. I didn’t grow up in Dublin, but I lived there for eleven years and it’s a second home to me. I always found it to be a very vibrant city and no matter how long I’d lived there, there was always something new to discover. I wanted that sense of discovery and enchantment that I felt about Dublin to come through in the book.

Shortly after I signed the contract to write and illustrate the book I moved to Bristol. I began work on the book in a new city; which was strange at first. In hindsight I think it was a good thing as I was really missing Dublin and I put a lot of extra love into the illustrations as it was a way for me to revisit the city. Being away from Dublin meant it now held a sense of nostalgia for me and I reflected this in the muted and dreamy colour tones I used throughout the artwork in A Dublin Fairytale.

I’ve always loved fairytales and Red Riding Hood was a particular favourite as my granny

gave me a storytelling doll based on it when I was six. My granny died shortly after; so reading fairytales always made me feel close to her. It was nice to feature a Red Riding Hood-type character in the book – the main character Fiona, who sets off on the fourth page in her favourite red raincoat. As Fiona is on a journey through the city to her granny’s house via the Witches’ Market on Moore Street. it was also a way for me to visit my granny again through the story. Creating this book was an opportunity to combine my love of fairytales with a city that I love.

Picture 1I felt a responsibility to reflect Dublin and its beautiful buildings and landmarks to the best of my ability so I wanted the artwork in the book to be very detailed and carefully executed. I spent a long time working on the ‘Trinity College’ spread, in particular, as it such an impressive and iconic building and I wanted to get the details right. I enjoyed adding my own fairytale tweaks like turning the statues of Edmund Burke and Oliver Goldsmith into a wizard and witch to reflect the sorcery theme. I also liked adding lots of things happening in the background like a ‘spell cloud’ billowing from one of the chimneys and some sorcery students chatting in the background.

Picture 2I spent a long time on the Witches’ Market spread as well as I wanted to add lots of little details for children to pore over. I loved Halloween as a kid (I still do!) and one of my favourite things around that time was to draw witches with lots of potions and bottles of curious things in the background. My dad used to collect old apothecary glass bottles and they always held a fascination for me and looked like something a practitioner of magic would use. I really enjoyed designing bottles and coming up with silly ingredients and labels for the spread. As Moore Street is full of colourful characters and is Dublin’s oldest food market it seemed like the perfect setting for a Witches’ Market.

Picture 3The spread where Fiona is walking through St Stephen’s Green Forest and mistakes the giant’s legs for trees is based on the perspective I had as a three- to five-year-old. I was very shy back then and remember hiding behind my dad’s legs any time I was introduced to a grown up I didn’t know. I remember thinking they were like trees and feeling very small, but safe behind them.

Adobe Photoshop PDFIt’s been really exciting and surreal to see the book published and out on the shelves in bookshops. When I received my first copies in the post I was very impressed with the printing; the uncoated offset paper really works with the soft colour palette and textures I chose.

I was also excited that it’s a hardback book, which makes it that little bit extra special.

The O’Brien Press team did a fantastic job on the production and design. The book launch in Dubray Books was fantastic and little touches like cookies featuring characters from the book (baked by The Cake Café) really made the event. Geraldine and Ruth in the Marketing Department did an amazing job organizing the launch.

Picture 5Another highlight was being asked to paint a scene from the book in Dublin’s iconic Hodges Figgis bookshop window. It was a wonderful experience and also afforded me the opportunity to meet people who bought the book and to hear their feedback. I was pleasantly surprised that about half the people buying the book that day were tourists. It really made me happy that people from outside of Dublin and Ireland are interested in the book too.

Picture 6The most important thing for me, though, has been the response from children. I’m really thrilled when parents tell me that the book is now part of their bedtime routine and when I hear about children’s favourite characters or parts of the book. I created the book with young children in mind so it’s wonderful to hear when it resonates with them.

Picture 7Nicola Colton is an illustrator based in Dublin. Her style is playful and colourful and very much influenced by folktales/folk art, scenes in nature and children’s picture books.

Her website is www.nicolacolton.com.