Our sales rep Sarah, took on the challenge of recreating a Donegal Table in her home in Dublin and this is how she got on!
I love to cook and believe there is nothing more enjoyable than sitting down to a home-cooked meal with family and friends so when The O’Brien Press set the challenge of recreating A Donegal Table in Dublin, I jumped at the chance! Like Chef Brian McDermott I grew up in a big family where the kitchen table was the focal point of the family. It still is and we regularly land in on my parents for a big feed! When we were kids my mam did most of the cooking and it is from her we learnt to bake – making our own pastry and filling it with delicious jam made by my nanny with whatever fruit was in season – blackberries picked from hedgerows, strawberries from the patch in the garden or rhubarb from the neighbours. When my mam went back to work, my dad took up cooking and I remember spending Thursday afternoons listening to Ronan Collins and helping get the spaghetti Bolognese ready – very exotic for an Irish family in the early nineties!
Whether you live in Dublin or Donegal there is no denying the unifying nature of food – it brings people together and, like Brian, I cherish those childhood memories and love creating new ones around my own kitchen table. With this in mind I roped in my sister, her husband their daughter Rose to recreate a Donegal table in Dublin. Continue reading “A Donegal Table in Dublin”
Conor Kostick, author of the brilliant sci-fi series The Avatar Chronicles, chats about imagination, online gaming and the growing popularity of LitRPG.
In 2003, I had an idea for a novel, which was inspired by a newspaper article claiming that the value of trades of virtual goods was sufficiently large (several billion dollars) that if it were a country it would rank greater than Bulgaria. What, I wondered, if this trend were to grow until your activity in virtual environments really mattered? What if the celebrities of the world were not sports stars and music stars, but gamers…?
I wrote Epicextremely quickly. In all the years and books since, I’ve never experienced anything like the same immersion in the world of my imagination. It was the summer between finishing my degree and starting a PhD and I knew this free time was precious. So every evening I would write until the early hours of the morning and during the day I would edit. So intense was my involvement with the book that my dreams were filled with it and I learned the value of keeping a notebook and pen beside me.
Gerard Siggins, author of the Rugby Spirit series and this year’s World Book Day book Rugby Roar, chats about the coming to the end of a series that began as a one book adventure and turned it to something bigger and better!
BOOK SIX of my ‘Rugby Spirit’ series is just out, and it may just be the last of the set. I never planned it as a series – I suppose most first-time novelists don’t have the sort of confidence that your publishers will want to keep publishing them and your readers will keep reading them.
No, Rugby Spirit was a once-off, a combination of a bedtime story my son kept pestering to write down, and a historical itch that needed scratching. I was chuffed that O’Brien Press said they would like to issue it, and even more delighted that they told me immediately to go off and write a sequel.
The first book concerned a boy coming to a new sport and finding advice and fellowship in the ghost of a long-dead rugby player. That character, Brian Hanrahan, was the only person ever to die playing sport in Lansdowne Road. He helps Eoin to get better at rugby, but also helped him to solve a mystery and understand more about the past.
As I sat down to plan Book 2, I tossed around ideas such as keeping it just to Eoin and Brian again, or taking out the supernatural element. But I realised that I could take it on a bit by keeping Eoin and Brian and adding a new ghost to the story. Rugby Warrior brought in Dave Gallaher, an Irish-born player who was the first captain of New Zealand’s All Blacks and who died in World War One. Continue reading “A Rugby Roar at the End of a Series”
Happy 2018 to everyone! To start of the New Year we at OBP chatted to author and illustrator Sarah Bowie about her upcoming picture book We’re Going to the Zoo!
What inspired you to write We’re Going to the Zoo?
I have very clear memories of going to the zoo myself when I was a little girl and I wanted to remember what it was like when you’re seeing these wild and exotic creatures for the first time in real life
What was your process for creating this book?
I started very simply, with a sketchpad and pencil. I tried to bypass my ‘front brain’ by just doodling and writing as quickly as possible. After a while I started to hear a grumpy little voice saying ‘The zoo is BORING!’, which is not what I’d been aiming for at all. However, I just went with it, kept doodling and writing and listening to what she and the other characters were saying. The important thing at the early stage is not to judge, you can always go back and fix things later. So that was how I got the original proposal written. After that I focused on page layout and pacing. It’s usually at this stage that I finalise the writing too. Once that’s nailed down, I focus on the artwork. Continue reading “We’re Going to…. Chat to Sarah Bowie”
Our wonderful Publicity and Marketing intern, Aoife Harrison, wrote a blog post about her experience at The O’Brien Press.
Four months seems a relatively short space of time but, even including several Christmas seasons in retail, I think these were among the busiest four months of my life! In preparation for this blog post, I compiled a list of all my personal highlights during my internship and the events, books and general escapades I’d been involved in since I started…it was a long list.
Topping the charts, so to speak, was Culture Night 2017, which was one of my favourite experiences at The O’Brien Press. For Culture Night, The O’Brien Press offered people the unique opportunity to pitch directly to Ireland’s leading children’s publisher. Meet with a staff member at the office for a ten-minute, one-to-one pitch. It was guaranteed to be an exciting and busy night. It helped that I had spent the better part of that morning involved in the launch of Judi Curtin’s 25th book, Stand By Me, a children’s book set partly in the 1960s. The staff of Eason, O’Connell Street, were amazing and incredibly helpful. They didn’t even bat an eyelid when Ruth and I arrived at the store an hour early, laden down with yet more bags (despite the several boxes we’d sent them the day before) and proceeded to decorate their newly renovated shop with strings of paper records, blow-up flower-power guitars and multi-coloured fabric flowers strewn over every available flat surface. The school group, when they arrived, were suitably impressed with our recreation of the book cover on the stage next to Judi and I only got the mildest of funny looks before they decided I must be in costume (I was!)
After tidying the shop (and ourselves) up, we raced back to the office to help with the preparations for O’Brien Press’ Pitch Perfect Culture Night event. The excitement in the air was palpable as staff raced up and down flights of stairs. Soon, before we’d even begun to steady our nerves, though thankfully after we’d taken down the photos of cats in wedding attire (your secret is safe with me Geraldine!), the doorbell rang. It was like Opening Night of a new production, but instead of being the actors huddled in the wings, we were the audience. We just happened to be providing the stage! Our first guests arrived and the next few hours were a whirl of handshakes, book chats, quick changes, muffled knocks and sheer exhilaration. The night was a huge success and we had so many exciting manuscripts to look forward to reading in the following weeks. Continue reading “Me and OBP”
Emma Byrne takes us through the fascinating design process that created the eye-catching cover of Frank McGuinness’s upcoming novel.
This is a novel that chronicles James Joyce as he lies on his death bed. A writer’s thoughts on his life, his children’s thoughts on their famous father, and a final story to defy them all.
Given the breadth of James Joyce’s life, and more importantly his work – a bridge, as it were, from an older tradition to a newer one – I felt that a cover inspired by the old technique of letterpress had an intriguing potential.
Letterpress was the normal way of printing text in Europe, from its invention in the mid-15th century by Gutenburg, until the late-19th century. (The Chinese had invented ceramic moveable type in the 11th century.) Much like our digital revolution and the huge opportunities brought about by social media, Gutenburg’s moveable type changed the dissemination of information forever. Texts were no longer written by specialist scribes for the select few. Words, knowledge and ideas, could be printed and seen by many. It was an invention that brought great power.
I had used a letterpress in college, and as a budding typographer was impressed by the sheer discipline, patience and respect it gave me for letterform. Today, anyone can type an essay on their phone, if they wish, but creating something in letterpress is a game of control and endurance. Fitting letters – wood or metal type – into a chase (a metal frame) is sometimes like trying to fit a square peg into a round hole. So, we use furniture (metal, wood or resin spacing tools) various em-spaced leading in different lengths –to fit the letters into the chase. Continue reading “The Cover Design of The Woodcutter and his Family”
Tatyana Feeney, author and illustrator of the wonderful picture book Socks for Mr Wolf, shares her story about where this quirky character came from and shows us the awesomeness of socks!
Poor Mr. Wolf, he is so often mistaken for a fox! And although ‘socks’ and ‘fox’ rhyme, Mr Wolf was always going to be a wolf even before he had his lovely socks …
My stories usually start with a character. I like to draw the character and think about a story that might develop around them. I had been drawing a wolf character for a while; he actually started life when I was a student at art college, and I was always hoping that he would have a story, but there was never one that seemed exactly right.
I liked the idea of the wolf being a friendly character, rather than the typical ‘big, bad wolf’, but I wasn’t able to think of something that seemed like a great, original story for him.
The idea for a book of childhood games has been percolating in my mind for years. Every time I had one of those ‘Remember when…?’ conversations with friends or family, I thought to myself, I really must get a move on. So it was with much excitement and no small relief that Red Rover, Red Rover – Games from an Irish Childhood has become a reality.
I grew up in Drogheda, on an estate of about forty houses, and with families of four or five children not uncommon back in the heady days of the 1980s, playmates were never in short supply. I was lucky enough to have four of the best in the form of brothers and a sister. One thing you need to know about my family is that, like most 80s kids, we were particularly snappy dressers and had fabulous haircuts (with the photographic evidence to prove it). The other is that we were nearly always up for a game of something or other.
One of our favourites was Kerbs – there was a period of a few years where the irregular thump of the ball off a kerb was to be heard most days, up and down our road. I was never really gifted with the skill set required for that game, but that never stopped me. My brothers proved more skilful, although I did eventually make up for my lack of natural ability with sheer volume of practice. My abiding memories of Kerbs, though, will always be either waiting patiently as my opponent hit kerb after kerb after kerb (how long could they keep going??), or the sheer joy on my younger brother’s face when he tried the high-scoring backward, over-the-head throw yet again and actually managed to hit the kerb. I’m pretty sure that he would have consistently scored higher if he just threw normally each time, but I was always delighted with his high-stakes gambling approach to the game. Continue reading “Red Rover, Red Rover!”
Author and illustrator Alan Nolan chats about writing, illustrating and the inspiration for Sam Hannigan’s Woof Week!
Sam Hannigan began life in one of my battered sketchbooks as a sketch of a young girl with freckles, playing an oversized guitar and wearing a cowboy hat. As with most of my characters, she came into my head in the middle of the night, cowboy hat and all, and I scrambled at the side of my bed for a sketchpad and a pencil to get her down on paper before she pulled up the bedroom window blind and escaped. As usual, to avoid waking my wife, this was drawn almost completely in the dark – when I woke up in the morning I had to make sense of the manic, spidery scribble, which I’d jammed into my shoe so I’d remember I’d done it in the first place.
Beside the sketch I had written ‘Brianna Buckley, plays guitar, eats dog biscuits, best friend is a boy, bully brother, parents country music fans = Dolly and Kenny, big dog, brain swap’.
I pitched the idea to The O’Brien Press. They loved the character of Brianna Buckley, but didn’t much like the name Brianna. They also thought the storyline – with Brianna as an X-Factor-like contestant brain-swapping with a dog and competing in the TV programme against her parents, Derek and Dodo, whilst trying to save (a) her house from being repossessed and (b) an international Russian supermodel and an emperor penguin from the clutches of a gangster called Terry the Thump – was a little convoluted and not overly child-friendly. ‘Think about who you are writing for,’ said Ivan. ‘Are you writing for children or for yourself?’ Continue reading “Alan Nolan on Sam Hannigan’s Woof Week”
Our sales representative, Sarah Cassidy, tells us all about being on the road, exploring Ireland on a daily basis and Ireland’s Ancient East.
The job of being a sales representative for The O’Brien Press involves visiting bookshops and other retail outlets throughout Ireland. One day you can be in Belfast and the next Galway or Waterford. It is a great perk of the job to be able to visit every corner of the country, particularly when the sun is shining, the sky is clear and Ireland’s breathtaking scenery is at its best. Some days the Atlantic Ocean is so blue I think about pulling the car over and going for a paddle but I soon remember I’m in Ireland and the likelihood of my poor toes being frozen off is quite high! Instead I grab my lunch from the car, perch on a nearby stonewall and listen to the sound of the rolling waves as I munch on my ham sandwich. Feeling energised by Ireland’s natural beauty (or the bucket of coffee I picked up at Barack Obama Plaza), it is back to the car and on the road again to the next customer.
It is not just Ireland’s coastal roads that offer beautiful scenery; the countryside and rolling hills that are often dotted with the ruins of castles and monasteries can be so vibrant and green in spring and summer, riotous with russet and gold tones in autumn and captivating coated in early morning frost in the depths of winter. This year in particular, the O’Brien Press reps gained a new appreciation for the countryside and the sights that can be found on the eastside of our beautiful island. We have been selling Carsten Krieger’s fifth book with The O’Brien Press, Ireland’s Ancient East. Filled with fantastic photographs and captions from this talented photographer, Ireland’s Ancient East is the perfect book to guide you around the east side of the country. Linking the Stone Age period with Saint Patrick, the Vikings with the Normans, Ireland’s eastern counties are abundant with monuments and relics that bring to life the stories of our ancestors. Whether you are an armchair traveller or looking to get out and explore the delights of our ancient east, this book is a great place to start! We put it to the test as we took to the roads to sell our autumn list. Continue reading “On the Road with Sarah Through Ireland’s Ancient East”