Our wonderful Editor, Helen Carr, took some time to talk to me about the her job, the books she’s currently working on, what she loves about her work and advice for aspiring editors!
What is your role in The O’Brien Press?
I’m a senior editor at The O’Brien Press. We’re a small company, 15-20 staff, so all the editors turn their hands to everything – I do managerial tasks, substantive editing, copyediting and proofreading, as well as working on blurbs, handling reprints and doing a certain amount of admin. I edit or manage about twenty books a year – a mix of general and children’s – on subjects ranging from fiction to current affairs, cookery to sport. There’s a great range within the children’s books I edit too; it can be anything from YA fiction, to picture books, to middle-grade non-fiction.
What do you like best about your role?
I love the variety. Some days I might spend mainly copyediting, while other days could be full of administration and planning. In terms of editing, I think my favourite thing is the substantive edit. I love meeting authors, talking about their books and their characters, getting a feel for the book and how we could work on it to shape it. I’ve just had a meeting with one of my authors, Ger Siggins. Ger is the author of the six-book ‘Rugby Spirit’ series about young rugby star, Eoin Madden and the ghosts he encounters. Now we’re discussing the first book in his exciting new ‘Sports Academy’ series, which will be out in early autumn. It’s called Atlantis United and it’s about five sports-mad kids who are selected for a very special and mysterious sports academy where they are trained to become the best in the world – and have many adventures along the way. It was great to talk through the plot and hear what he has planned for the characters in future books.
I also really love the development process on kids’ picture books. I work very closely with our designer, Emma Byrne and we’re currently finalising a beautiful and informative picture book called Island of Adventures; Fun things to do all around Ireland by Jennifer Farley. It’s going to be gorgeous, and I think families will love looking at the fun-filled, full-colour spreads of Irish adventures – everything from surfing to St Patrick’s Day parades features! I love to see the story take shape and see the images develop from roughs to final art. Continue reading “A Chat with Editor Helen Carr”
Irish publishing house The O’Brien Press is seeking a Marketing & Publicity Intern.
The position involves providing administrative assistance to the department across all areas of marketing, publicity and events and offers the opportunity to gain valuable knowledge and experience in marketing & publicity as well as other aspects of the publishing environment.
The successful candidate will be energetic, enthusiastic, highly organised and will be able to work well on their own and as part of a team. They will be able to work well under pressure. They will be proficient in MS Office (Word, Excel) and Outlook. Experience with InDesign and/or an interest in social media would be a bonus. This position would be ideally suited to graduates who are seeking to gain experience in publishing, and in the area of marketing and publicity, in particular.
This is a paid internship starting in late July, finishing in mid-December 2018, 5 days a week.
This month we chatted with the wonderful Kathleen Comerford about her experience as a driving instructor, her top tips for your driving test and all about her new book Pass Your Driving Test in Ireland!
What made you want to be a driving instructor?
I really love driving and teaching so, it’s a perfect match. My father and my grandfather also taught people to drive, so it must be in my blood.
Could you tell us 5 things to think about or focus on during your test?
1. It may sound obvious, but remember to breathe! Almost all my students forget to breath once I sit into the car, so I’m sure it happens more so when the Tester sits in.
2. Focus on the road in front of you and avoid thinking too much about what the Tester is thinking or wanting you to do. They just want you to drive safely.
3. Keep your driving as close to your natural everyday drive as possible, so you keep it automatic and natural and honest.
4. Avoid exaggerating anything like observation or mirrors in order to impress the Tester. Your checks should be timely and relevant, remember you are on your driving test, not looking for an OSCAR!
5. I teach my drivers to talk about the road ahead, which helps them greatly to keep focused and present, and reduces their anxiety levels.
What is the one thing people should say to themselves before they begin their driving test?
I CAN DO THIS! I’ve put in the time and practice. I’ve read Kathleen’s book so I know what to do!! It’s not rocket science. I’ll keep it safe and simple.
Our sales rep Sarah, took on the challenge of recreating a Donegal Table in her home in Dublin and this is how she got on!
I love to cook and believe there is nothing more enjoyable than sitting down to a home-cooked meal with family and friends so when The O’Brien Press set the challenge of recreating A Donegal Table in Dublin, I jumped at the chance! Like Chef Brian McDermott I grew up in a big family where the kitchen table was the focal point of the family. It still is and we regularly land in on my parents for a big feed! When we were kids my mam did most of the cooking and it is from her we learnt to bake – making our own pastry and filling it with delicious jam made by my nanny with whatever fruit was in season – blackberries picked from hedgerows, strawberries from the patch in the garden or rhubarb from the neighbours. When my mam went back to work, my dad took up cooking and I remember spending Thursday afternoons listening to Ronan Collins and helping get the spaghetti Bolognese ready – very exotic for an Irish family in the early nineties!
Whether you live in Dublin or Donegal there is no denying the unifying nature of food – it brings people together and, like Brian, I cherish those childhood memories and love creating new ones around my own kitchen table. With this in mind I roped in my sister, her husband their daughter Rose to recreate a Donegal table in Dublin. Continue reading “A Donegal Table in Dublin”
Conor Kostick, author of the brilliant sci-fi series The Avatar Chronicles, chats about imagination, online gaming and the growing popularity of LitRPG.
In 2003, I had an idea for a novel, which was inspired by a newspaper article claiming that the value of trades of virtual goods was sufficiently large (several billion dollars) that if it were a country it would rank greater than Bulgaria. What, I wondered, if this trend were to grow until your activity in virtual environments really mattered? What if the celebrities of the world were not sports stars and music stars, but gamers…?
I wrote Epicextremely quickly. In all the years and books since, I’ve never experienced anything like the same immersion in the world of my imagination. It was the summer between finishing my degree and starting a PhD and I knew this free time was precious. So every evening I would write until the early hours of the morning and during the day I would edit. So intense was my involvement with the book that my dreams were filled with it and I learned the value of keeping a notebook and pen beside me.
Gerard Siggins, author of the Rugby Spirit series and this year’s World Book Day book Rugby Roar, chats about the coming to the end of a series that began as a one book adventure and turned it to something bigger and better!
BOOK SIX of my ‘Rugby Spirit’ series is just out, and it may just be the last of the set. I never planned it as a series – I suppose most first-time novelists don’t have the sort of confidence that your publishers will want to keep publishing them and your readers will keep reading them.
No, Rugby Spirit was a once-off, a combination of a bedtime story my son kept pestering to write down, and a historical itch that needed scratching. I was chuffed that O’Brien Press said they would like to issue it, and even more delighted that they told me immediately to go off and write a sequel.
The first book concerned a boy coming to a new sport and finding advice and fellowship in the ghost of a long-dead rugby player. That character, Brian Hanrahan, was the only person ever to die playing sport in Lansdowne Road. He helps Eoin to get better at rugby, but also helped him to solve a mystery and understand more about the past.
As I sat down to plan Book 2, I tossed around ideas such as keeping it just to Eoin and Brian again, or taking out the supernatural element. But I realised that I could take it on a bit by keeping Eoin and Brian and adding a new ghost to the story. Rugby Warrior brought in Dave Gallaher, an Irish-born player who was the first captain of New Zealand’s All Blacks and who died in World War One. Continue reading “A Rugby Roar at the End of a Series”
Happy 2018 to everyone! To start of the New Year we at OBP chatted to author and illustrator Sarah Bowie about her upcoming picture book We’re Going to the Zoo!
What inspired you to write We’re Going to the Zoo?
I have very clear memories of going to the zoo myself when I was a little girl and I wanted to remember what it was like when you’re seeing these wild and exotic creatures for the first time in real life
What was your process for creating this book?
I started very simply, with a sketchpad and pencil. I tried to bypass my ‘front brain’ by just doodling and writing as quickly as possible. After a while I started to hear a grumpy little voice saying ‘The zoo is BORING!’, which is not what I’d been aiming for at all. However, I just went with it, kept doodling and writing and listening to what she and the other characters were saying. The important thing at the early stage is not to judge, you can always go back and fix things later. So that was how I got the original proposal written. After that I focused on page layout and pacing. It’s usually at this stage that I finalise the writing too. Once that’s nailed down, I focus on the artwork. Continue reading “We’re Going to…. Chat to Sarah Bowie”
Our wonderful Publicity and Marketing intern, Aoife Harrison, wrote a blog post about her experience at The O’Brien Press.
Four months seems a relatively short space of time but, even including several Christmas seasons in retail, I think these were among the busiest four months of my life! In preparation for this blog post, I compiled a list of all my personal highlights during my internship and the events, books and general escapades I’d been involved in since I started…it was a long list.
Topping the charts, so to speak, was Culture Night 2017, which was one of my favourite experiences at The O’Brien Press. For Culture Night, The O’Brien Press offered people the unique opportunity to pitch directly to Ireland’s leading children’s publisher. Meet with a staff member at the office for a ten-minute, one-to-one pitch. It was guaranteed to be an exciting and busy night. It helped that I had spent the better part of that morning involved in the launch of Judi Curtin’s 25th book, Stand By Me, a children’s book set partly in the 1960s. The staff of Eason, O’Connell Street, were amazing and incredibly helpful. They didn’t even bat an eyelid when Ruth and I arrived at the store an hour early, laden down with yet more bags (despite the several boxes we’d sent them the day before) and proceeded to decorate their newly renovated shop with strings of paper records, blow-up flower-power guitars and multi-coloured fabric flowers strewn over every available flat surface. The school group, when they arrived, were suitably impressed with our recreation of the book cover on the stage next to Judi and I only got the mildest of funny looks before they decided I must be in costume (I was!)
After tidying the shop (and ourselves) up, we raced back to the office to help with the preparations for O’Brien Press’ Pitch Perfect Culture Night event. The excitement in the air was palpable as staff raced up and down flights of stairs. Soon, before we’d even begun to steady our nerves, though thankfully after we’d taken down the photos of cats in wedding attire (your secret is safe with me Geraldine!), the doorbell rang. It was like Opening Night of a new production, but instead of being the actors huddled in the wings, we were the audience. We just happened to be providing the stage! Our first guests arrived and the next few hours were a whirl of handshakes, book chats, quick changes, muffled knocks and sheer exhilaration. The night was a huge success and we had so many exciting manuscripts to look forward to reading in the following weeks. Continue reading “Me and OBP”
Emma Byrne takes us through the fascinating design process that created the eye-catching cover of Frank McGuinness’s upcoming novel.
This is a novel that chronicles James Joyce as he lies on his death bed. A writer’s thoughts on his life, his children’s thoughts on their famous father, and a final story to defy them all.
Given the breadth of James Joyce’s life, and more importantly his work – a bridge, as it were, from an older tradition to a newer one – I felt that a cover inspired by the old technique of letterpress had an intriguing potential.
Letterpress was the normal way of printing text in Europe, from its invention in the mid-15th century by Gutenburg, until the late-19th century. (The Chinese had invented ceramic moveable type in the 11th century.) Much like our digital revolution and the huge opportunities brought about by social media, Gutenburg’s moveable type changed the dissemination of information forever. Texts were no longer written by specialist scribes for the select few. Words, knowledge and ideas, could be printed and seen by many. It was an invention that brought great power.
I had used a letterpress in college, and as a budding typographer was impressed by the sheer discipline, patience and respect it gave me for letterform. Today, anyone can type an essay on their phone, if they wish, but creating something in letterpress is a game of control and endurance. Fitting letters – wood or metal type – into a chase (a metal frame) is sometimes like trying to fit a square peg into a round hole. So, we use furniture (metal, wood or resin spacing tools) various em-spaced leading in different lengths –to fit the letters into the chase. Continue reading “The Cover Design of The Woodcutter and his Family”
Tatyana Feeney, author and illustrator of the wonderful picture book Socks for Mr Wolf, shares her story about where this quirky character came from and shows us the awesomeness of socks!
Poor Mr. Wolf, he is so often mistaken for a fox! And although ‘socks’ and ‘fox’ rhyme, Mr Wolf was always going to be a wolf even before he had his lovely socks …
My stories usually start with a character. I like to draw the character and think about a story that might develop around them. I had been drawing a wolf character for a while; he actually started life when I was a student at art college, and I was always hoping that he would have a story, but there was never one that seemed exactly right.
I liked the idea of the wolf being a friendly character, rather than the typical ‘big, bad wolf’, but I wasn’t able to think of something that seemed like a great, original story for him.