My Little Blog Post of Dublin

This week Juliette Saumande, Tarsila Krüse and Helen Carr tell us all about the making of My Little Album of Dublin and their favourite places in the Fair City! 

Juliette Saumande 

Juliette Saumande is a French writer based in Dublin. She has published over 40 books in French and English. When she’s not writing, she can be found translating books, reading books, recommending books, talking about books and building forts with books. She enjoys things like tapdancing and liquorice, but hates Crunchies with a passion. Come and say ‘hi’ at  juliettesaumande.blogspot.ie 

 

 

The Wheels of Fortune (on a Dublin Bus)

Between Dublin and thirteen-year-old me it was love at first sight. Coming from the suburbs of Paris, where the French capital felt like a limitless maze packed-full of numberless strangers, I was struck by how small, how homely and friendly Dublin was. You couldn’t get lost! You couldn’t set half a toe in town without meeting someone you knew! It was great. I knew straight away that I wanted to come back and spend longer than the few days I had that first time. So I did. As a dedicated tourist initially (brownie points to my family for humouring me, then becoming Emerald Isle enthusiasts), then as an Erasmus student, and eventually as a Dubliner.

So I’ve been here for well over ten years, reading, writing, translating, chatting, making friends and making it even harder to feel lost or lonely. And after all that time, I still feel quite excited about the city, the new bits, the old bits, the eating places, the meeting places. My favourite haunts, if you can call it that, are Dublin buses. I’ve had some of my best ideas on the number 78 (as was), some of my best rants on the 7 and the elusive 68, some of my strangest conversations with total strangers on the 13 or 40 (about the weather, food, books, kids… or what the Irish use their churches for these days).

And I’ve had some of the best views over the city, just above pedestrian level (because, obviously, the whole point of a double-decker bus is to sit upstairs, right at the front where possible). From up there you can see beyond fancy hedges and building site fences, into first-floor shops and balconies, on top of people’s heads and bus stops (where you sometimes make interesting discoveries)…

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The Children of Lir

So much work, thought and creativity go in to making a book. This autumn we are publishing an illustrated edition of the Children of Lir written in verse. Laura Ruth Maher submitted her wonderful rhyming version of everyone’s favourite Irish myth. Once accepted, Emma, our designer, set out to commission an illustrator. Three weeks ago, our wonderful illustrator, Conor Busuttil flew from his home in the UK to hand-deliver the stunning art work. I spoke with Laura, Conor and Emma about the exciting process of making a book.

Laura

While working as a Montessori teacher I have always tried hard to incorporate Irish myths and legends into the curriculum; they’ve always been a favourite of mine. From a young age they sparked a love for all things magical and enchanted, something I have always tried to instil in the children in my care whether through storytelling or art, the development of imagination, wonder and curiosity knows no bounds. Our lovely myths and legends, however, can be quite difficult to simplify for pre-school children, especially when the only books available have few illustrations to accompany a text that has beautiful big Irish words such as Tuatha de Danann, Emain Macha and Mochaomhóg.

While researching the importance of storytelling for the dissertation of my degree in early education, I was reminded of how crucial rhyming stories are for the development of literacy skills in children. Rhyme gives children the confidence to participate in the storytelling process, as well as the ability to predict what might come next. I had a pure lightbulb moment of how a rhyming version of the Children of Lir might just hold their attention and interest as their favourite rhyming books have done over the years.

The Children of Lir felt like a perfect story to begin with as it tells how love and bravery can give you the determination to keep going no matter how hard things get – a little lesson that you are never too young to learn. So, you can imagine my excitement when O’Brien Press felt the same and accepted my submission for publication.

I was slightly apprehensive when I was told that the illustrator would be chosen by O’Brien Press as through the whole process of writing, I knew where the characters lived, their faces and what the magic looked like around them so it was important to me that the illustrator chosen would be able to see the same. When I was sent Conor Busuttil’s work as a prospective illustrator for the book I was overwhelmed by his imagination and talent. I knew instantly that he would work wonders on the illustrations for this book and he has surpassed all my expectations and then some! He has such a wonderful style of drawing which has managed to capture the love, fear, panic and magic throughout the entire story, truly making it come alive.

The Children of Lir is one of my favourite legends and I couldn’t be happier to know that this early introduction into the magical world of Irish myths and legends is keeping our traditional stories alive for children of all ages to love and retell!

Conor

From the mention of this project I was excited to get started. It was after pulling out books I have had since a was little based on the old Celtic myths and legend, rummaging through my dad’s (keen metal detectorist) history books on jewellery and buildings to the point I was told to go get my own, to going out in the field and drawing bits first that I slowly started to compose the basis for the proper direction I wanted to go.

From the get go, I felt I wanted Fionnuala to be the natural leader of the group. Being the eldest and the mother figure to her brothers, in a few scenes I have tried to make her the focus of the others’ attentions. In terms of how the children looked as human, I did try and give them individual personalities through their mannerisms, but the ideas for how they looked came from watching nieces/nephews and a few sketch attempts. While reading Laura’s script I had my sketch book beside me and drew whatever popped into my head. I think the first image was the children grouped together as swans. Fionnuala standing stern while the brothers nervously huddle around her looking for direction as they look out at this new version of their lives and the challenges they might face.

I think the main challenge was with it being a naturally sad tale: these children have been bewitched for hundreds of years, but I needed to keep the images child friendly. So there was a little back and forth with ideas on that, but just as important were the colours. We naturally associate certain colours with certain characteristics, like a bold dark red as danger or a light washy blue as healing and soft. Just choosing the colour of the magic on the cover took a few attempts; hopefully the reader will get that warm, happy welcome when picking up the book.

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A Giant Blog Post

Author and illustrator Marie-Louise Fitzpatrick tells us the inspiration for The Sleeping Giant and the little girl, Ann.

In 1988, my sister Bernardine and myself were spending a week in the Kingdom of Kerry. Our neighbours, the Kennedys, ­happened to be there at the same time so we dropped around to their holiday rental to say hi. Their cottage faced the sea. Mary pointed out over the wall and said to her little girl, ‘Look, Eva, we can see the Sleeping Giant from here.’

‘The Sleeping Giant?’ I asked. A dozen family holidays in Dingle and I’d only ever heard Inis Tuaisceart referred to as ‘An Fear Marbh’.

‘I don’t want to scare Eva by calling it “The Dead Man”,’ Mary whispered. ‘Not when she can see it from her bedroom window.’

Hmm, I thought. So if the island is a giant, why is he asleep? And what happens when he wakes up?

An unfamiliar name for a familiar landmark caused a shift of perception inside my brain, which, in turn, sparked an idea. I spent the rest of the week imagining the giant waking up and watching him roam around the Dingle Peninsula in my mind’s eye. My sister and I toured and walked and sunned ourselves by day, and I snapped photos with my trusty Olympus OM10 as we went, already thinking of these shots as research. We met the Kennedys at Coumeenole a few times, and I painted them into the beach scene in the book to mark the fact that it was Mary (yes, that Mary Kennedy) who sparked the idea for the story.

Evenings were spent in local pubs. The sessions were mighty, and I captured one of them in the book. In my memory, the pub was Páidi Ó Sé’s in Ventry, but my sister remembers that session being in An Cúinne, Feohanagh. Who knows which of us is remembering the venue correctly, but we do concur on the singers and the craic!

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Alan Nolan on World Book Day, Writing, Illustrating, Animals and Rock Star Grannies

Ahead of World Book Day 2019 on Thursday, 7 March, I chatted with Alan Nolan about his World Book Day book, Sam Hannigan’s Rock Star Granny, and the world of books, writing and illustrating!

What’s your favourite thing about reading?

A good book will put you directly in the shoes of the characters, helping you see the world through their eyes. That’s my favourite thing about reading – understanding and empathising with others.

What’s your favourite thing about writing and illustrating?

I love storytelling, and writing and illustrating are two great ways of telling a story. I enjoy them both equally, and I try to get them to work together and complement each other. I tend to think visually – if a character pops into my head, I have to draw them immediately; if a scene comes into my head, I reach for a pencil and get drawing. Then I’ll write some notes about what I’ve just drawn around the sides of the sketch. It always happens in that order: idea, drawing, writing.

Who is your favourite character to illustrate?

I love drawing Ogg the caveman from Conor’s Caveman and the Sam Hannigan series. I had a lot of trouble getting him right at the design stage – I knew he was huge and that he wore caveman furs and had chunky, hairy arms, but I just couldn’t get his face quite right. His big, stubbly chin worked, but there was something too open and modern about his eyes. Then I hit on it: a huge, bushy monobrow would hide his eyes, making him more enigmatic, and it would also make him look more Neanderthal-like. Ogg is an easy character for kids to draw as well – I can show them how to draw a very convincing caveman with only twelve pencil lines!

Sam Hannigan is a great character. What was your inspiration for her?

When I was a kid, I wanted to be a dog. My granny, Lizzie Bunn, lived with us (as did her mum, my great-granny), and she helped me achieve my doggy dreams. She made me a pair of doggy ears out of stuffed brown socks that she stitched onto a Healy-Rae flat cap, and a furry tail that I tucked into the back of my trousers. Sometimes when she’d call us down for dinner, I’d insist that she put mine on the floor. I would eat it on my hands and knees, my ‘tail’ (actually, my bum) wagging happily as I chowed down without the aid of a fork, knife or spoon, my doting granny looking on. Of course, this only happened when my mother was at work. She would have marmalised me and my poor granny if she knew these canine capers were going on every second day. So I think Sam Hannigan was based partly on me – a dreamer with a lightly loopy grandmother.

Continue reading “Alan Nolan on World Book Day, Writing, Illustrating, Animals and Rock Star Grannies”

Where Are You, Puffling? and Where Did You Come From?

This week we chatted with the wonderful Gerry Daly, co-creator and illustrator of Where Are You, Puffling?. Gerry’s uncle Sean came up with the initial idea, and the story developed from there! Gerry tells us all about the journey of this adorable picture book, including working with the brilliant Erika McGann.

What inspired your uncle Sean to write this story to begin with?

When Sean was visiting the Skellig islands he noticed that the puffins and the rabbits seemed to be getting along together as they went about their business. He heard they even share their burrows! Or at least the rabbits move back in once the puffins head out to the ocean for the winter. Sean imagined they might help each other out in times of need, and he thought this could make a good story for his grandsons.

What was it like to work with Sean on this?

Great fun! Sean showed me his finished text, and had the idea that I might add some illustrations to it. He would then have just a few printed up, for the boys and the rest of the family. We had already worked together on a short family history book. That self-published book showed Sean’s great interest in genealogy, Irish history and places. His enthusiasm for the Skellig story was very infectious. It wasn’t long before we were working on ideas for images and layout. He’d often say, ‘I love it, now we’re sucking diesel!’

Unfortunately, around this time Sean had been diagnosed with cancer, and he passed away not long after. I was then back at college doing a masters, and didn’t have much time to look at the book for a while, but eventually I managed to add the illustrations. I didn’t have a title to the story, so my dad suggested ‘The Skellig Shenanigans’. I had a few printed up, which came as a nice surprise to family and friends, most of whom had no idea that this had been in the making. I didn’t want the story to just be forgotten, and felt it really had to be finished best I could manage.

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Our Favourite Inspiring Women from Blazing a Trail

Lauren O’Neill and Sarah Webb accepting their Irish Book Award
Shona Shirley Macdonald (author and illustrator of The Pooka Party), Sarah Webb and Lauren O’Neill at the Irish Book Awards 2018

This week Blazing a Trail won the Children’s Book of the Year (senior) Award at the An Post Irish Book Awards 2018. This is a wonderful award and we, at the O’Brien Press, are very proud of this book and the remarkable women who created it. Blazing a Trail – Irish Women Who Changed the World was written by Sarah Webb and illustrated by Lauren O’Neill. Sarah and Lauren have chosen their favourite woman from Blazing a Trail with a disclaimer that this is very difficult to choose because they are all amazing in their own right!

 

 

Sarah Webb

I’ve spent the last two years in the company of some of Ireland’s most remarkable women and it’s hard to select one as my ‘favourite’. As I read about the women in turn, I discovered the truth about each individual journey – the obstacles they had to overcome, their tenacity, their determination, their hope that Ireland might be a different place for women in the future – and my admiration for all of them grew and grew.

However I discovered that one woman in particular had direct links to my family and also changed the course of my own education and that is Sarah Purser.

Sarah was an artist, patron and businesswoman who was born in Dún Laoghaire in 1848, the town where I live. She studied art in Paris as women were not allowed to study at the Royal Irish Academy (RHA) in Dublin at the time. Later, Sarah became the first woman to be given full membership of the organisation at the age of seventy-five.

She became well known for her portraits and painted some of the most famous Irish people of the time from Maud Gonne to Douglas Hyde.

In 1903, she set up An Túr Gloine (the Tower of Glass) and, thanks to her excellent business skills, it became a world-wide success, exporting glass to churches around the globe. It makes me smile to think that the stained glass windows in churches in Canada and New York and many other places were shipped over (and in many cases created) by Irish women at a time when women’s art was not widely appreciated or celebrated. Stained-glass artists Evie Hone and Wilhelmina Geddes and Harry Clarke all made glass for Sarah’s company.

Every Tuesday, Sarah held salons in her house for artists, writers and academics. My grandfather, WB Stanford, was a classics professor at TCD and wrote widely on the Greek language. He attended these salons with my grandmother.

Sarah also helped establish History of Art courses in both Trinity College Dublin and UCD. I studied History of Art in TCD; a course I loved. It is responsible for my abiding love of art, illustration and picturebooks.

And finally we share a first name.

Sarah Purser, I salute you!

Lauren O’Neill

It’s obviously very tough to choose a favourite among the Blazing a Trail women – they’re all very unique individuals. In terms of the artwork, Eileen Grey was probably my favourite to draw, or the aviators, Lilian Bland and Lady Heath. I love how those images turned out! I think the woman who made the biggest impression on me though was Margaret Bulkley, who lived her whole adult life as a man, Dr. James Barry. Her, or I should say his, academic achievements alone were amazing. But he was also the one who made the biggest leap in terms of how he wanted to present himself to the world. You have to admire that level of self conviction! Also he was a big animal lover, which deserves a big thumbs up. He was a very interesting character both to research and to draw.

The artwork for Blazing a Trail was actually a bit of a departure from my usual style in kids’ books. Generally I’m more focused on linework but for Blazing a Trail I combined line drawings with figures that felt a bit more painterly, which seemed to work well with some of the more historical subject matter. I mostly work digitally but I always use scanned textures in my work on some level. For Blazing a Trail I sketched out lots of small composition thumbnails in pencil for each image, and chose the one that I felt would work best full size. I would then take a photo of it on my phone, send it to my computer and paint over it in photoshop. At the end, I added in scanned paint textures to give everything a more organic and traditional feel.

Sarah Webb and Lauren O’Neill, November 2018

Blazing a Trail is available to buy here and in all good bookshops

 

Irish Book Awards Shortlisted Titles

The O’Brien Press are absolutely delighted to have two of our books shortlisted for three Irish Book Awards.

Blazing a Trail By Sarah Webb and illustrated by Lauren O’Neill has been shortlisted for two awards:

The Journal.ie Best Irish-Published Book Of the Year

The National Book Tokens Children’s Book of the Year – Senior

The Pooka Party by Shona Shirley Macdonald has been shortlisted for the following award:

The National Book Tokens Children’s Book of the Year – Junior

If you haven’t already heard about these amazing books then here is a little bit about them and a sneak peak!

Blazing a Trail  is a book for everyone who dreams of changing the world.

‘Dress suitably in short skirts and strong boots, leave your jewels in the bank and buy a revolver.’
– COUNTESS MARKIEVICZ, rebel leader and politician

From daring aviator LADY HEATH to savvy gold prospector NELLIE CASHMAN, fearless sea captain GRANUAILE to world-class dancer DAME NINETTE DE VALOIS,
scene-stealing actor MAUREEN O’HARA to record-breaking runner SONIA O’SULLIVAN, activist MAUD GONNE to President MARY ROBINSON, meet the remarkable Irish women who shaped the world we live in.

Discover their achievements, the ways in which they devoted their whole lives to making a difference, and with each original stunning illustration, feel the essence of these important trailblazers.

‘We are all made of star stuff.’
– DAME JOCELYN BELL BURNELL, astrophysicist

Packed with fun, fascinating facts and stunning, full-page illustrations, this book celebrates the trail blazers who have shaped the world we live in.

Ready to walk in their footsteps? A world of bravery and discovery awaits you.

Made by two remarkable women, author Sarah Webb and illustrator Lauren O’Neill.

Sneak Peak Below!!

The Pooka is a magical shapeshifter who lives in the mountains all alone; fixing things, painting, dancing and singing. Suddenly, none of this seems fun any more, the Pooka realises that its lonely and hasn’t seen its friends in ages!

After having some time to think, the Pooka decides to throw a big party and invite all of its friends. Join the Pooka as it attempts to throw the Pooka party of the century in this fun and beautifully illustrated picture book.

A madcap tale of what to do if you feel sad and lonely, starring one shapeshifting hero with some musical monsters, flying cakes and a guest appearance by the Moon.

Sneak Peak Below!!

Don’t forget to Vote – click here!

Elena Browne, October 2018

Calling All Authors

After a long, hot summer, the sun has finally lowered the temperature from scorching to a low simmer, there’s a brisk chill in the morning air, and schools are throwing open their gates once more: September is here. This, among other things, means that Culture Night is almost upon us.  Culture Night is a relatively new venture for us here at The O’Brien Press. We participated for the first time in 2017 and we had so much fun at our Pitch Perfect event that we’re doing it all over again this year!

Pitch Perfect is a unique opportunity to pitch directly to The O’Brien Press. We’re looking for the best unpublished writers to meet with members of our team in Rathgar for one-to-one pitches. This year, we’re on the lookout for children’s & YA fiction and non-fiction again, but we’d also like to see humour and sports (particularly GAA) books for adults. Places are limited so if you’ve got a great book idea (and think you can pitch it in ten minutes flat) we want to hear from you! For full details please see https://culturenight.ie/event/the-obrien-press/ or to make a booking email culturenight@obrien.ie.

But if you’ve missed the deadline for Pitch Perfect, don’t despair. The O’Brien Press is open to submissions all year round and all potential bestselling ideas are welcome!

Here are some top tips and a little advice to help you make your submission stand out from the crowd – in all the best ways.

Continue reading “Calling All Authors”

We’re Going to…. Chat to Sarah Bowie

Happy 2018 to everyone! To start of the New Year we at OBP chatted to author and illustrator Sarah Bowie about her upcoming picture book We’re Going to the Zoo!

What inspired you to write We’re Going to the Zoo?

I have very clear memories of going to the zoo myself when I was a little girl and I wanted to remember what it was like when you’re seeing these wild and exotic creatures for the first time in real life

What was your process for creating this book?

I started very simply, with a sketchpad and pencil. I tried to bypass my ‘front brain’ by just doodling and writing as quickly as possible. After a while I started to hear a grumpy little voice saying ‘The zoo is BORING!’, which is not what I’d been aiming for at all. However, I just went with it, kept doodling and writing and listening to what she and the other characters were saying. The important thing at the early stage is not to judge, you can always go back and fix things later. So that was how I got the original proposal written. After that I focused on page layout and pacing. It’s usually at this stage that I finalise the writing too. Once that’s nailed down, I focus on the artwork. Continue reading “We’re Going to…. Chat to Sarah Bowie”

The Cover Design of The Woodcutter and his Family

Emma Byrne takes us through the fascinating design process that created the eye-catching cover of Frank McGuinness’s upcoming novel.

This is a novel that chronicles James Joyce as he lies on his death bed. A writer’s thoughts on his life, his children’s thoughts on their famous father, and a final story to defy them all.

Given the breadth of James Joyce’s life, and more importantly his work – a bridge, as it were, from an older tradition to a newer one – I felt that a cover inspired by the old technique of letterpress had an intriguing potential.

Letterpress was the normal way of printing text in Europe, from its invention in the mid-15th century by Gutenburg, until the late-19th century.  (The Chinese had invented ceramic moveable type in the 11th century.) Much like our digital revolution and the huge opportunities brought about by social media, Gutenburg’s moveable type changed the dissemination of information forever. Texts were no longer written by specialist scribes for the select few. Words, knowledge and ideas, could be printed and seen by many. It was an invention that brought great power.

I had used a letterpress in college, and as a budding typographer was impressed by the sheer discipline, patience and respect it gave me for letterform. Today, anyone can type an essay on their phone, if they wish, but creating something in letterpress is a game of control and endurance. Fitting letters – wood or metal type – into a chase (a metal frame) is sometimes like trying to fit a square peg into a round hole. So, we use furniture (metal, wood or resin spacing tools) various em-spaced leading in different lengths –to fit the letters into the chase. Continue reading “The Cover Design of The Woodcutter and his Family”