Conor Kostick on Ready Player One, Epic and LitRPG

Conor Kostick, author of the brilliant sci-fi series The Avatar Chronicles, chats about imagination, online gaming and the growing popularity of LitRPG.

In 2003, I had an idea for a novel, which was inspired by a newspaper article claiming that the value of trades of virtual goods was sufficiently large (several billion dollars) that if it were a country it would rank greater than Bulgaria. What, I wondered, if this trend were to grow until your activity in virtual environments really mattered? What if the celebrities of the world were not sports stars and music stars, but gamers…?

I wrote Epic extremely quickly. In all the years and books since, I’ve never experienced anything like the same immersion in the world of my imagination. It was the summer between finishing my degree and starting a PhD and I knew this free time was precious. So every evening I would write until the early hours of the morning and during the day I would edit. So intense was my involvement with the book that my dreams were filled with it and I learned the value of keeping a notebook and pen beside me.

I’d wake up with an insight, jot it down, and fall back to sleep. Continue reading “Conor Kostick on Ready Player One, Epic and LitRPG”

A Rugby Roar at the End of a Series

Gerard Siggins, author of the Rugby Spirit series and this year’s World Book Day book Rugby Roar, chats about the coming to the end of a series that began as a one book adventure and turned it to something bigger and better!

BOOK SIX of my ‘Rugby Spirit’ series is just out, and it may just be the last of the set. I never planned it as a series – I suppose most first-time novelists don’t have the sort of confidence that your publishers will want to keep publishing them and your readers will keep reading them.

No, Rugby Spirit was a once-off, a combination of a bedtime story my son kept pestering to write down, and a historical itch that needed scratching. I was chuffed that O’Brien Press said they would like to issue it, and even more delighted that they told me immediately to go off and write a sequel.

The first book concerned a boy coming to a new sport and finding advice and fellowship in the ghost of a long-dead rugby player. That character, Brian Hanrahan, was the only person ever to die playing sport in Lansdowne Road. He helps Eoin to get better at rugby, but also helped him to solve a mystery and understand more about the past.

As I sat down to plan Book 2, I tossed around ideas such as keeping it just to Eoin and Brian again, or taking out the supernatural element. But I realised that I could take it on a bit by keeping Eoin and Brian and adding a new ghost to the story. Rugby Warrior brought in Dave Gallaher, an Irish-born player who was the first captain of New Zealand’s All Blacks and who died in World War One. Continue reading “A Rugby Roar at the End of a Series”

We’re Going to…. Chat to Sarah Bowie

Happy 2018 to everyone! To start of the New Year we at OBP chatted to author and illustrator Sarah Bowie about her upcoming picture book We’re Going to the Zoo!

What inspired you to write We’re Going to the Zoo?

I have very clear memories of going to the zoo myself when I was a little girl and I wanted to remember what it was like when you’re seeing these wild and exotic creatures for the first time in real life

What was your process for creating this book?

I started very simply, with a sketchpad and pencil. I tried to bypass my ‘front brain’ by just doodling and writing as quickly as possible. After a while I started to hear a grumpy little voice saying ‘The zoo is BORING!’, which is not what I’d been aiming for at all. However, I just went with it, kept doodling and writing and listening to what she and the other characters were saying. The important thing at the early stage is not to judge, you can always go back and fix things later. So that was how I got the original proposal written. After that I focused on page layout and pacing. It’s usually at this stage that I finalise the writing too. Once that’s nailed down, I focus on the artwork. Continue reading “We’re Going to…. Chat to Sarah Bowie”

Me and OBP

Our wonderful Publicity and Marketing intern, Aoife Harrison, wrote a blog post about her experience at The O’Brien Press.

Four months seems a relatively short space of time but, even including several Christmas seasons in retail, I think these were among the busiest four months of my life! In preparation for this blog post, I compiled a list of all my personal highlights during my internship and the events, books and general escapades I’d been involved in since I started…it was a long list.

Topping the charts, so to speak, was Culture Night 2017, which was one of my favourite experiences at The O’Brien Press. For Culture Night, The O’Brien Press offered people the unique opportunity to pitch directly to Ireland’s leading children’s publisher. Meet with a staff member at the office for a ten-minute, one-to-one pitch. It was guaranteed to be an exciting and busy night. It helped that I had spent the better part of that morning involved in the launch of Judi Curtin’s 25th book, Stand By Me, a children’s book set partly in the 1960s. The staff of Eason, O’Connell Street, were amazing and incredibly helpful. They didn’t even bat an eyelid when Ruth and I arrived at the store an hour early, laden down with yet more bags (despite the several boxes we’d sent them the day before) and proceeded to decorate their newly renovated shop with strings of paper records, blow-up flower-power guitars and multi-coloured fabric flowers strewn over every available flat surface. The school group, when they arrived, were suitably impressed with our recreation of the book cover on the stage next to Judi and I only got the mildest of funny looks before they decided I must be in costume (I was!)

After tidying the shop (and ourselves) up, we raced back to the office to help with the preparations for O’Brien Press’ Pitch Perfect Culture Night event. The excitement in the air was palpable as staff raced up and down flights of stairs. Soon, before we’d even begun to steady our nerves, though thankfully after we’d taken down the photos of cats in wedding attire (your secret is safe with me Geraldine!), the doorbell rang. It was like Opening Night of a new production, but instead of being the actors huddled in the wings, we were the audience. We just happened to be providing the stage!  Our first guests arrived and the next few hours were a whirl of handshakes, book chats, quick changes, muffled knocks and sheer exhilaration. The night was a huge success and we had so many exciting manuscripts to look forward to reading in the following weeks. Continue reading “Me and OBP”

It’s All About the Socks for Mr Wolf

Tatyana Feeney, author and illustrator of the wonderful picture book Socks for Mr Wolf, shares her story about where this quirky character came from and shows us the awesomeness of socks!

Poor Mr. Wolf, he is so often mistaken for a fox! And although ‘socks’ and ‘fox’ rhyme, Mr Wolf was always going to be a wolf even before he had his lovely socks …

My stories usually start with a character. I like to draw the character and think about a story that might develop around them. I had been drawing a wolf character for a while; he actually started life when I was a student at art college, and I was always hoping that he would have a story, but there was never one that seemed exactly right.

I liked the idea of the wolf being a friendly character, rather than the typical ‘big, bad wolf’, but I wasn’t able to think of something that seemed like a great, original story for him.

So, I put him aside and started thinking about other stories. Continue reading “It’s All About the Socks for Mr Wolf”

Alan Nolan on Sam Hannigan’s Woof Week

Author and illustrator Alan Nolan chats about writing, illustrating and the inspiration for Sam Hannigan’s Woof Week!

Sam Hannigan began life in one of my battered sketchbooks as a sketch of a young girl with freckles, playing an oversized guitar and wearing a cowboy hat. As with most of my characters, she came into my head in the middle of the night, cowboy hat and all, and I scrambled at the side of my bed for a sketchpad and a pencil to get her down on paper before she pulled up the bedroom window blind and escaped. As usual, to avoid waking my wife, this was drawn almost completely in the dark – when I woke up in the morning I had to make sense of the manic, spidery scribble, which I’d jammed into my shoe so I’d remember I’d done it in the first place.

Beside the sketch I had written ‘Brianna Buckley, plays guitar, eats dog biscuits, best friend is a boy, bully brother, parents country music fans = Dolly and Kenny, big dog, brain swap’.

I pitched the idea to The O’Brien Press. They loved the character of Brianna Buckley, but didn’t much like the name Brianna. They also thought the storyline – with Brianna as an X-Factor-like contestant brain-swapping with a dog and competing in the TV programme against her parents, Derek and Dodo, whilst trying to save (a) her house from being repossessed and (b) an international Russian supermodel and an emperor penguin from the clutches of a gangster called Terry the Thump ­– was a little convoluted and not overly child-friendly. ‘Think about who you are writing for,’ said Ivan. ‘Are you writing for children or for yourself?’ Continue reading “Alan Nolan on Sam Hannigan’s Woof Week”

Erika McGann on Forts, Childhood Rebellion, and the Legend of Farmer Hearty

Erika McGann, author of the Demon Notebook Series, chats to us about her new Cass and the Bubble Street Gang series. The Clubhouse Mystery is the first book in this new series!

The greatest fort I’ve ever seen was one I didn’t help to build. It was built by the big kids. And it was probably a crime.

Nicknamed ‘The Tunnel’, it was a huge crater dug in the middle of a field; the crater was covered by aluminium sheeting, which was covered by soil, which was covered by branches, leaves and grass. It was entirely underground and it was awesome.

I wasn’t allowed into the Tunnel. None of the small kids were. We had to watch enviously, hidden in the hedgerows, while the big kids crawled in and out through a narrow trapdoor on one side. I’d forgotten about that bit – it had a freakin’ trapdoor.

The forts me and my friends made (or acquired) were much less impressive, but I remember the kick we got out of naming a secret camp and vowing to stash a bin bag full of sweets there (to be bought with months of saved pocket money … if we could just get around to actually saving it). That seemed to be the main function of a secret fort – somewhere to stash the loot. A limitless supply of chocolate, crisps and penny sweets was the dream. For the sake of our local shopkeeper, it’s a good thing that never came true. Spending 30p could easily take twenty minutes or more of careful consideration at the sweet counter. Choosing a bagful would have taken weeks.

There were secret forts and camps dotted all over the fields that stretched beyond the housing estate where I lived, and they were made all the more exciting and dangerous by the legend of Farmer Hearty. Continue reading “Erika McGann on Forts, Childhood Rebellion, and the Legend of Farmer Hearty”

Natasha Mac a’Bháird on the Star Club Series

With the publication of Starring Meg nearly upon us, Natasha Mac a’Bháird talks about her inspirations for the Star Club Series. Natasha chats about her narrators and how she finds herself becoming attached to them.

When I visit schools to talk about my books, they always want to know where I get my ideas. It’s a really tough one to answer. Ideas come from all sorts of places – something I’ve read, a conversation with someone – but they rarely have a clear form, more like something vague emerging from a fog that I try to grasp on to.

My new series, Star Club, is a bit easier to explain. I can trace the roots of this idea right back to when I was the same age as the four girls in the books. At twelve the thing I was most passionate about was reading (no change there then!), but a close second was drama. I loved everything about it from creating characters to dressing up to making up stories. Like the Star Club girls, I used to put on shows, roping in my sister and brothers and sometimes friends and neighbours too to act and sing and dance with me. Hannah’s brothers, Zach and Bobby, are loosely based on my own brothers – when we wanted them to be in one of our plays, my sister and I always had to make sure there was a sword fight in it, so we could send them off to practise that scene on their own when they were starting to lose interest (or getting in our way …) Continue reading “Natasha Mac a’Bháird on the Star Club Series”

Gerard Siggins on Rugby and Writing

Gerard Siggins chats about his love for rugby and his passion for books ahead of the publication of the fifth book in the Rugby Spirit series – Rugby Runner!

I never really intended to write for young readers. I had enough problems making older ones engage with my weekly column on that esoteric (for Ireland) sport of cricket. But a series of coincidences and chance meetings led me to write the Rugby Spirit series, the fifth of which has just been published.

I grew up – and still live – beside Lansdowne Road, a magical site soaked in the sweat of 100,000 sportsmen and women where the dramas and delights of sport have been played out for nearly a century and a half. As boys, we used it as a playground – in those pre-security guard days we had free run of the stadium and even got to kick and run on the holy turf of the main pitch.

I grew up and became a sports journalist, and found myself returning to Lansdowne Road for big games. Every visit was special, and always brought back memories of my own and of the deeds of the past.

When it was decided to level the grand-stands and bring it back as a shiny, kidney-bowl shaped stadium, I resolved to capture those deeds in a book. With colleague Paul Howard, (later replaced by Malachy Clerkin when Paul, by then busy with Ross O’Carroll-Kelly, “couldn’t be orsed”), we put together a series of tales under the title Lansdowne Road, the Stadium, the Matches, the Greatest Days (O’Brien Press 2010). Continue reading “Gerard Siggins on Rugby and Writing”

The Making of The Making of Mollie!

Anna Carey tells us about the compelling research process for her latest novel The Making of Mollie!

When I started writing my book The Making of Mollie, the story of a would-be teenage suffragette in 1912 Dublin, I didn’t have to think long about where to set it. When it was founded back in 1883, my old school, Dominican College, was at the forefront of girls’ education in Ireland, and it was known for its progressive ethos – its old girls include the famous suffragette leader Hanna Sheehy-Skeffington. Since 1984, the school has been on Griffith Avenue in Drumcondra, but for just over 100 years it was in Eccles Street in Dublin (when I was there, from 1988 to 1993, lots of people still referred to the school simply as ‘Eccles Street’). As my fictional heroine, Mollie, was a middle-class girl living in Drumcondra, it made sense that she would have gone to Eccles Street – which was handy for me, because I live down the road from the school’s current location.

And so a rainy day in February, I went back to school, thanks to Sr Catherine Gibson, the nun (and former teacher at the school) who looks after the archive. In a cosy room in the convent next to the school building (I’d walked past it every day for five years but never entered it before), I ate biscuits, drank a particularly delicious pot of tea, and immersed myself in the past. Dominican College began producing a yearbook called The Lanthorn in 1913, and there was a complete collection in the archive. I was able to pore through the pages for several hours, taking copious notes and photographs and finally photographing entire pages.

The Lanthorn was an incredible source of information. It told me what subjects the girls studied at school, some of which were mystifying over a century later (historical geography?). It showed me that the girls called their lay teachers “professor” (the historian Dr Senia Paseta later told me this wasn’t unusual). In the school class lists, it gave me dozens of authentic girls’ names of the period which inspired the names of many characters in the book (there were several Mollies, a LOT of Noras – and yes, at least one Grace and Stella and a few Gerties). There were accounts of “a year in Eccles Street” which told me when the girls had exams and when they put on plays (which they seemed to do surprisingly often). Best of all were the short stories about school life by the girls themselves, which were often very funny and which provided me with a lot of authentic contemporary slang. They were the parts I enjoyed the most.

The Making of Mollie is my first historical novel, and I cared a lot about making it as authentic as possible while still being entertaining. So it’s a good thing that I turned out to love the research. In fact, in an ideal world I’d have spent even longer on it. And no part of the research was more fun than throwing myself into the world of the girls who’d gone to my school 75 years before I did – and seeing they weren’t always so different from me and my friends after all.

Anna Carey, December 2016

The Making of Mollie is available here and in all good bookshops!